A table of New Year’s Eve is full of affection.
The illegal spot trading platform set up a "beauty" scam to target men over 35 years old.
On WeChat, have you ever met a "sister" with a very beautiful avatar who took the initiative to chat up and told you that "she" earned 100,000 yuan a month? In the chat, the "low-key luxury" girl is white, rich, beautiful and considerate, and cares for you … … In fact, this is a well-planned "beauty" investment scam, focusing on men over 35 years old and with a certain economic foundation in the name of spot investment. After all kinds of showing off your wealth, unconsciously, you have fallen into this carefully laid-out WeChat marketing routine.
Insider of self-explosion of employees before the spot platform:
Customers lose money, company employees get commission.
Recently, with the support of the municipal anti-fraud center, Yueqing police in Wenzhou, Zhejiang Province cracked a series of online virtual investment fraud cases and smashed fraud gangs in the name of investment spot, involving tens of millions of yuan.
Similar cases may happen around us. Last week, Mr. Yi, who once worked in a spot trading platform, told the Beijing Morning Post reporter that the illegal spot platform used "beauty" marketing to focus on men over 35 years old, and after defrauding the trust, it finally made investors suffer huge losses and obtained the investor’s principal.
Mr. Yi told the Beijing Morning Post that he had worked in a secondary member unit of a crude oil spot trading platform. "One of my customers in Beijing invested 50,000 yuan and earned 110,000 yuan in a short time. The company called directly, so I have to make customers lose money! " Mr. Yi said that he did not agree and chose to leave. But what he didn’t expect was that the company directly obtained the customer’s password, reversed the operation, and finally made the customer lose money completely.
Secret of the whole process of "Beauty" WeChat marketing
Start saying hello
Open WeChat, and suddenly a beautiful "beauty" greets you. Unsuspecting, you may click "accept" and "beauty" appears in your circle of friends.
Mr. yi: You know what? The "beauty" seen on WeChat is actually just the male salesman of the company.
Step 1 Chat
You will see that the circle of friends of "beauty" will be updated every day, and your own life photos will be exposed. "Beauty" is always "low-key luxury", either a fragrant bag or a famous car, or traveling around. "Beauty" will also chat with you, from far to near, from birth to maturity.
Mr. yi, the informant: A male salesman will have such a "beauty" partner, and when voice or telephone contact is needed, the "beauty" will appear in time. But I would like to ask, which "beauty" has the time to type and chat with you when she has nothing to do?
Step 2: Invite and fry the spot.
Mr. yi, the whistleblower: In addition to "Beauty" WeChat marketing, illegal spot platforms generally use live broadcast rooms, QQ groups and other means to attract customers. After customers enter the live broadcast room or QQ group, there will generally be a "master" teacher to guide everyone to operate, and the "teacher" has a huge number of fans. "But the truth is that these fans are often fake by company salesmen in various names, and they are all childcare."
If you continue to talk, you will also find out that "beauty" makes money almost every day in "speculation" … … When you have a crush, "Beauty" will invite you to join the group or send you a QQ number to recommend a "teacher" who calls himself "analyst".
Step 3 "Teacher" Guidance
As soon as you join the group, you will find that the "teacher" has many "fans" and the guidance of the "teacher" is "good cow"! At first, under the guidance of "teachers", you will make money soon. But in the following days, your good luck will not be so much.
Mr. yi, the informant: The "teacher" is watertight when guiding the operation. If the predicted direction is correct, the "teacher" will say, "Look, listen to me, did you do it right?" If the direction is opposite, the teacher will say, "This suggestion is for reference only."
And fell into a bottomless pit
After constantly "buying up and buying down", the money you put in has gradually become a bottomless pit. You come with a dream of making money, but the other person is thinking about your principal.
Mr. yi, the whistleblower: The ultimate goal of the illegal spot trading platform, whether it is beauty marketing or teacher guidance, is to make you trust "beauty" or "teacher" so that you can shout out "empty orders or multiple orders" which are contrary to the market trend, and eventually the customers will lose money and the company will make money. In some illegal spot platforms, if the client’s funds lose money, the person in charge of the company and the investment director will have a certain proportion of the share, and the instructor will also have a commission of 5% to 10%.
■ Industry views
CSRC:
Clean-up depends on local governments.
In recent years, there have been many disputes on platforms with spot, crude oil, silver and some bulk commodities as trading targets. Not long ago, Chen Baifeng, director of the China Securities Regulatory Commission, introduced that by the end of September this year, there were 369 cases or clues involving illegal securities and futures. 54 cases were transferred to public security organs and 78 cases were transferred to local governments or industrial and commercial departments. So far, the public security organs have filed 27 cases and arrested nearly 200 suspects.
The State Council once issued Guo Fa [2011] No.38 Document, and the General Office of the State Council also issued the Implementation Opinions on Cleaning up and Rectifying Various Trading Places (Guo Ban Fa [2012] No.37). "Both documents clarify the principle of who approves and who manages. Spot trading places are approved by local governments, and the responsibility of cleaning up and rectifying them is also the responsibility of local governments. The joint meeting mainly plays a role in supervision and coordination. " Chen Baifeng said, therefore, the final clean-up and rectification of illegal spot trading platforms still depends on the strength of local governments.
■ Background link
There are only 8 state-level exchanges.
Spot trading is a new investment channel. There are many spot trading markets in China, most of which are approved by local governments, and they mainly participate in the operation of bulk primary raw materials, including agricultural products, metals, building materials and other trading varieties.
The operation methods of spot trading and futures trading are very similar. Both transactions are T+0, which can amplify leverage, and there is a short-selling mechanism, which is very flexible, unlike stocks that can only be long. Spot trading platforms are mostly approved by local governments, and each trading platform trades different varieties, with a large leverage ratio of up to 1:100.
The Beijing Morning Post reporter learned that at present, there are only eight state-level exchanges approved by the State Council in China:
1. Shanghai Stock Exchange;
2. Shenzhen Stock Exchange;
3. China Financial Futures Exchange;
4. Shanghai Futures Exchange;
5. Zhengzhou Commodity Exchange;
6. Dalian Commodity Exchange;
7. National Small and Medium-sized Enterprise Share Transfer System (New Third Board);
8. Shanghai Gold Exchange.
This edition of the article
Wang Jie, chief reporter of Beijing Morning Post
The poster stills of "Winning Gold" show a generation of "Ping Pong Fanghua"
The first TV series "Winning the Gold", which tells the glorious course of table tennis in China, released the leading poster and stills today. The TV series is based on the time background from the early 1950s to the reform and opening up. It tells the story that Liu Zhengguang, a poor student, ignored the opposition of his family, cherished the dream of table tennis from being selected into the provincial team to entering the national team to win the championship overseas, and even spared no expense to open a table tennis school and cultivate a new generation of young athletes with the spirit of winning the gold. The story of passionate struggle and the brave and fearless hero’s character give Liu Zhengguang the shadow of "Ping-Pong Li Yunlong".
The stills released this time truly reproduce the characteristics of the times in the 1950s and 1960s, and people can’t help but feel a sense of returning to the youth era. The characters in the stills are dressed in the costumes of that era, which are simple but exquisite. The girls have tiny bangs on their foreheads, and their hair tips are flush with their earlobes. Posters with scarlet letters on a white background and flying red flags make people really feel the atmosphere of the times. The crew of "Winning Gold" pays attention to the details to a harsh degree, and these details strive to respect and restore history. Not only that, table tennis is full of time from specific tactics to rackets. In different periods, rackets are different. Art props have high standards and strict requirements on the details of rackets, and strive to be truly restored. It can be said that the preliminary homework of "Winning Gold" is fully prepared. Full of texture, very chronological stills hit people’s hearts directly.
"Winning Gold" is a TV series with a great span of time, which contains strong patriotic feelings and national pride, which makes it different from the previous TV series with sports themes of youth idols. "Winning Gold" not only digs into the details of fine arts and costumes, but also takes eight years to prepare the script in the early stage, and the leading actors also collectively entered the national team for closed training for three months. From the exquisiteness of costume props to the study of the script, "Winning the Gold" carefully polished every detail and made a classic drama.
As a brand-new drama of the era of bloody sports competition created by Zhang Qian after "Bright Sword", it is the fighting spirit and patriotism contained in it that impressed Zhang Qian. He boldly said, "Either don’t shoot it, or shoot it as the benchmark of China sports drama!" From war TV series to sports TV series, the director always uses "sword spirit" to create quality TV series. Director Zhang Qian, who entered the play with the spirit of "soul", runs through the whole play with the spirit of passionate sports. This time, the hero Liu Zhengguang will go forward bravely and strive for progress, which will also let the audience see the image of a "ping-pong Li Yunlong" sports powerhouse.
随着观众对电视剧作品的要求越来越高,观众对青春偶像剧的套路逐渐产生疲乏,对优质影视作品的期待、对正能量内容的诉求空前强烈,这正为正剧的回归提供了契机。《夺金》以中国乒乓球真实历史为背景,讲述中国体育健儿拼搏奋斗、不屈不挠创造辉煌战绩,其中注入的拼搏奋斗的体育精神,可以说是中国人自强不息、傲骨谦卑的一个缩影。乒乓的发展历史更是新中国发展的一个缩影,起起伏伏的比赛诉说着中国社会的变革。而中国体育健儿不断创造辉煌的轨迹,正是中国从弱到强的强国轨迹,是中华民族崛起和复兴的象征,是习主席所说的“中国梦”。相信剧中角色的勇气、拼搏、努力、热血等体育精神,也必将深深打动观众。
据悉,这部国家体育总局首次对外联合出品的电视剧,更会有多位乒乓球冠军加持助威。国内金牌导演、一流幕后团队、高质量的剧本带来了品质的保证。“振兴中华,拼搏奋斗”的第一价值观,更是赋予了这部电视剧不入俗套的体育题材电视剧品格,将为观众带来与众不同的类型剧标杆之作。
本剧由国家体育总局,霍尔果斯新鼎明影视文化联合出品,广州环球瑞都文化传播有限公司承制,《夺金》预计将于2019年与观众见面。
"Cold Thinking" of Summer Tourism Fever
Author: Zang Mengya
Summer is the peak season for people to travel and spend, and the summer tourism market is more powerful. It is understood that although the single-day adult ticket price has risen to 719 yuan, Shanghai Disneyland still ushered in the peak of passenger flow at high temperature. Beijing Universal Resort is also welcoming the summer travel craze. If tourists don’t buy fast ticket products, ordinary tickets for some popular projects are likely to have to wait in line for more than three hours. Restoring and expanding consumption is an important task at present and an inevitable requirement for achieving high-quality development. Summer consumption, especially summer tourism consumption, is a good starting point. For all localities, summer tourism consumption is an opportunity and a challenge.
As consumer demand becomes more personalized, consumption scenarios become more diversified, and it is increasingly difficult for homogeneous products to be recognized by consumers. As an important group of people traveling in summer vacation, the tourist base of students and parent-child groups welcoming summer vacation is huge. For students who pursue freshness, excitement and popularity, theme parks that focus on animation and movie consumption, as well as cultural and artistic theme destinations such as museums, ancient buildings and Guofeng resorts, are popular choices for summer tourism. There are still many students who choose to travel to characteristic villages or punch in online celebrity, and these destinations provide new ways for tourists to feel a better life.
If college students tend to choose "go on road trip" and "personalized customized tour" to enjoy the hard-won long vacation, then primary and secondary school students and parents prefer "study tour" which is entertaining and entertaining, making the summer vacation full and meaningful. Some traditional tourist attractions have launched research tourism products such as "punching cards with textbooks" by excavating the knowledge in primary and secondary school textbooks, so that students can feel the cultural background and historical allusions in textbooks on the spot.
However, the "pain points" such as the pressure of transportation, the difficulty of getting a ticket in many theme parks and museums, and the high prices of tickets and accommodation reflect the difficulties in the development of the summer tourism market, and also inject some cold thinking into the "hot" summer tourism market. Summer tourism consumption is different from the usual small holiday tourism consumption, which can meet the longer and deeper tourism needs of tourists, and the quality and service level of tourism products have a more "deep" impact on tourists accordingly. This requires tourism practitioners to constantly enrich product supply, adjust product supply structure, respond to market changes in time, truly grasp the hearts of consumers, and gain a firm foothold in the fierce summer tourism market competition.
In view of this, in the context of the overall recovery of tourism, all relevant departments in various localities should optimize the tourism market environment, strengthen strict supervision of scenic spots and platforms, and improve the standards and systems of tourism industry, which is related to the expansion and upgrading of tourism in various localities and the transformation and development of economy and society. The summer tourism data forecast of several online travel platforms shows that the summer tourism market in 2023 is expected to surpass the same period in 2019. Tourism-related enterprises should seize the opportunity of industry recovery, win the summer tourism consumption market, and make further progress on the basis of the substantial improvement of previous performance. (Zang Mengya)
Source: Economic Daily
Funny jokes
1 Some fans asked me, is it difficult to write original funny paragraphs? It’s not difficult to write, but it’s a little brain-consuming, and my head is getting light, so I can’t sleep alone and miss women.
Time doesn’t belong to me at dawn. It’s time to earn money to support my family. My wife is up and I’m sleeping.
Life lies in exercise, exercise lies in making money, making money lies in raising a family, raising a family lies in life, and I am on the way to raising three children.
My dream is, dream. It can only be realized in dreams.
Datong people can talk badly, and falling noodles is not called falling noodles, but falling slag, which smells like coal.
The inspiration of creation comes from life. Why is it that I am clever when I create, but I am ineffective when I create? Is there something wrong with my life style?
Now there is a new term called selling anxiety. Is it still necessary to sell? I have it myself.
My girlfriend asked me why I didn’t like to look at me recently, because I looked down upon it as too expensive and had no money to spend.
It’s not easy for a man to be financially independent, but his wife won’t let him and he is afraid to find his mother-in-law.
People often say that life is won at the starting line, and there is no hope in my life, so I spent 20 yuan to burn trillions at the crossroads, paving the way for me in the next life.
Reveal the ins and outs of China culture.
Drawing on the latest achievements in China’s cultural history research and archaeology, this book has 12 special topics, starting with the relationship between technology, system and culture, and through in-depth and detailed analysis of 38 knowledge points, it tries to explore the wonderful chapters and internal laws of China’s culture in the past 3,000 years. It is a brief history of China culture with large knowledge coverage, conciseness, easy understanding and illustrations.
Elegant and popular culture in Song Dynasty
In Song Dynasty, the direction of China culture changed greatly. From the perspective of cultural types, urban culture has emerged, and there has been a situation in which scholar-bureaucrat culture and citizen culture coexist, and elegant and popular cultures develop in parallel; From the perspective of cultural style, it is completely different from the previous Tang culture. The Tang culture is an open culture with relatively extensive, extroverted and strong colors, showing an extroversion, roughness and boldness, while the Song culture is an introverted culture with relatively closed, introverted and elegant colors, showing an introspective, refined and elegant feature.
The scholar-bureaucrat culture in the Song Dynasty showed a refined and inward-looking style, as well as the spiritual value and moral ideal of Neo-Confucianism, which was very elegant. Scholar-officials in the Song Dynasty were good at intellectual introspection, and were subtle in mind. This concept runs through many art categories such as Song Ci, Song Shu, Song Painting, Song Wen, Porcelain and Garden Construction.
Song Shu respected the style of calligraphy in Wei and Jin Dynasties, pursued individuality, advocated valuing meaning, and respected intentional impossibility. The so-called "Shang Yi" means advocating the artistic conception and interest of calligraphy and expressing calligraphers’ distinctive personality and elegance. Calligraphers in Song Dynasty, "learning from predecessors, creating new meanings", are represented by Su Shi, Huang, Mi and Cai’s "Song Sijia", namely Su Shi, Huang Tingjian, Mi Fei and Cai Xiang, and there is also an emperor, namely Song Huizong Zhao Ji, who created the "thin gold body". Their calligraphy, seemingly easy-going and brilliant, is full of brushwork, elegance and kindness.
Song paintings are also elegant. Su Dongpo advocates that poetry and calligraphy should be integrated into painting, and painting should be used to express the interest of literati. Therefore, Song paintings are full of natural and unrestrained spirit and elegant, delicate, gentle and quiet beauty. Song Wen and Shu Xu are gentle and feminine. Song porcelain, slightly rich and rich, is simple and elegant, and attaches great importance to ideology. Private gardens built in the Song Dynasty, such as Master Wang Garden and Canglang Pavilion in Suzhou, are also exquisite and poetic, giving people a sense of quietness, profundity and gentleness. The tea drinking, collection and clothing of the scholar-officials all show elegant and meticulous style. Scholars drink tea, "the victory of the first product, the wonderful cooking, all of which are salty." Even the clothes, the literati also love the simple and delicate features.
It is the Song Ci that best reflects the exquisite and elegant culture of the literati. Ci originated from street ballads and tended to be refined because of the intervention of literati. Different from poems with broad meanings and images of all beings, the words are small and narrow, ingenious and new. It focuses on the harmony between temperament and language, creating ethereal atmosphere, taking a secluded path, expressing sadness and melancholy, which is extremely delicate and exquisite. Although Su Dongpo and Xin Qiji are the representatives of the bold style of ci, the mainstream of ci is always graceful and feminine, which reflects the mood and mood of literati in Song Dynasty and Tang Dynasty.
Song ci inherited the late Tang dynasty and five pronouns. The five generations of literati ci created by Wen Tingyun in the late Tang Dynasty laid the foundation for the vigorous development of Song ci. The Huajian School, headed by him, mostly uses gorgeous words and graceful expressions to write about women’s beauty and clothing, as well as parting from sorrow and hate. For example, Wen Tingyun’s "More Leaky": "Jade incense, red wax tears, partial to Qiu Si in the painting hall. The eyebrows are thin and thin, the clouds are residual, and the night is long and the pillow is cold. Sycamore tree, it’s raining in the middle of the night, and it’s bitter not to leave love. A leaf, a sound, empty steps drop to the light. " Feng Yansi, a five-pronoun who was praised by Wang Guowei as "opening the atmosphere of the Northern Song Dynasty", has a deep and touching work, which has further advanced the graceful ci style since the late Tang Dynasty. For example, "Que Tiaozhi" writes loneliness and melancholy: "Who can abandon leisure for a long time?" Every spring comes, melancholy remains the same. I often get sick before I spend the day, but I dare to say that my face is thin in the mirror. Willow on the Qingwu embankment by the river. To ask new worries, what happens every year. The independent small bridge is full of sleeves, and the Pinglin Crescent people return. "
Poets in Song Dynasty made a series of innovations in style, content, language and rhythm, which pushed this popular art form to a new level.
First of all, carry forward the graceful and restrained style and create a bold and unconstrained style of ci. In the early years of the Northern Song Dynasty, Yan Shu, Song Qi, Fan Zhongyan, Ouyang Xiu and others followed the style of ci poetry in the Southern Tang Dynasty, but Zhang Xian and Liu Yong changed the style of ci poetry into a long and slow word, changed the content from the narrow leisure in always in my heart to the expression of urban life in many aspects, and changed the elegant and implicit style of ci poetry into a hearty exposition. For example, Liu Yong’s "Basheng Ganzhou" expresses the sadness of leaving people, which is desolate and intense: "Sprinkle the rainy days on the river and wash the clear autumn. The bleak frost wind a burst of Tight, the river of mountain river is cold and cheerless, the light of the setting sun shines on the tall building. Everywhere the red flowers withered and withered, all the beautiful scenery gradually fade away. Only the Yangtze river water, speechless east flow. Not the heart to climb far away, overlooking the remote home, the desire to go home is difficult to gather. Sigh for years, why bother stay for a long time. If you want a beautiful woman to dress up, you will miss it a few times, and the sky will return home. I am anxious to know me and lean against the railing. "
Su Shi’s graceful words use traditional poetry to create artistic conception, with vivid chronicle, emotional harmony and sincere feelings. For example, Jiang Chengzi Yi Mao remembers his dead wife night and night on the twentieth day of the first month: "Ten years of life and death are boundless, so I will never forget it without thinking. Thousands of miles away in a lonely grave, there is nowhere to talk about desolation. Even if you don’t know when you meet, your face is covered with dust and your temples are like frost. At night, I dream of returning home suddenly, and Xiao Xuan window is dressing up. Care for each other without words, only tears thousands of lines It is expected that the heartbroken place will be broken every year, and the moon will be short and loose. "
Su Shi created a bold and unconstrained style of ci while he was graceful and graceful. His "Nian Nujiao Chi Bi Nostalgia", "Shui Diao Ge Tou Bing Chen’s Mid-Autumn Festival Drinking and Being Drunk" is the masterpiece of this style. Contemporary Wang Anshi, Huang Tingjian and others also have bold words. This word style was strongly advocated by Xin Qiji, Lu You and others in the Southern Song Dynasty and fully developed. Zhang Yuangan, Zhang Xiaoxiang, Chen Liang, Liu Guo and Liu Kezhuang are all famous uninhibited poets. Xin Qiji’s uninhibited words are "bold and unrestrained like the wind and rain, bold and heroic like the sea and mountains" (Liu Dajie: History of China Literature (middle volume), Fudan University Press, 2006, p. 188), such as "Yong Yule Jingkou Beigu Pavilion Nostalgia", which writes the hopeless sadness of serving the country: "Throughout the ages, heroes have never found Sun Zhongmou. Dancing in the pavilion and singing in the platform, the wind and rain always blow away the romantic feelings. The setting sun shines on the grassy plain of the grassy tree, where people say it was the place where Emperor Wu of Song had lived. Back then, he led the northern expedition, recover lost ground how powerful! However, Wang Liu yilong’s son, Li Liu yilong, was a great success and rushed the northern expedition, but instead let the northern Wei emperor Wu tuobadao fly south, and return to the north shore of the Yangtze river, and suffered a heavy blow by his opponents. I have been back to the south for forty-three years, and I still remember the war scenes in Yangzhou with the flames of war. Looking back, under the Beaver Temple, there was a crow club drum. Who can ask, Lian Po is old, can he still eat? "
Secondly, popularity and elegance go hand in hand. On the one hand, Liu Yong put folk long tunes and slang into ci, while Su Shi, Xin Qiji and others merged poetry, ci and prose, understood them freely, and wrote them freely. For example, Su Shi’s "Niannujiao Chibi Nostalgia" is as popular and lively as prose: "river of no return, a romantic figure through the ages. To the west of the old base, humanity is: Red Cliff in Zhou Lang, the Three Kingdoms. The steep rock walls, such as the thunder of the waves against the river bank, the waves of spray like to roll up tens of millions of snow. The majestic river shan qi, such as the picture, how many heroic heroes emerge at a time. Thinking back in the days of Zhou Yu’s spring breeze, beautiful beautiful young Joe just married him, his heroic heroic spirit full of. Feather fan nylon scarf, talking and laughing, lost in smoke. I am fugue today in the battlefield, I am feeling the a feeling heart, prematurely born with white hair. Life is like a dream, and one statue is still on the moon. "
On the other hand, Qin Guan, He Zhu, Zhou Bangyan, Li Qingzhao and others made great efforts in elegance to express feminine elegance, slender elegance, Leng Yan elegance and sad elegance. For example, Qin Guan’s "Jiangchengzi" wrote that he hates farewell in late spring: "When will Shao Hua not stay for teenagers and hate you?" When the flying catkins fall out of the flowers, they climb the stairs. It’ s like a spring river is full of tears, endless, and many sorrows. " For example, Li Qingzhao’s "Like a Dream" wrote Xichun: "Last night, it rained suddenly, and a deep sleep did not consume the wine. Ask the shutter man, but the Chinese flowering crabapple remains the same. Do you know, do you know? It should be green, fat and thin. " For example, He Zhu’s "The Jade Case" wrote about his leisure in late spring: "Ling Bo didn’t cross the Hengtang Road, but he watched Fang Chen go. Who is the degree of Jin Sehua? On the platform, there are flower pavilions and windows, and only Chunzhi is there. Fei Yun, Ran Ran, at dusk, painted a new topic, heartbroken sentence. If you ask how much leisure is there? Yichuan tobacco, full of wind, plum yellow rain. "
Finally, meter and free expression are both open. Su Shi and others expressed freely, and extended the realm of Ci to the extent of "heartless, there is nothing to say". However, they were criticized by the people of that time for being out of tune and unable to sing. Therefore, Zhou Bangyan and others paid attention to meter and pay attention to "putting words into the law". Zhou Bangyan is proficient in music, and devoted himself to the melting and casting of language and music. His words and rhythms have strict statutes, forming an exquisite and elegant style. This style and tradition were inherited by Jiang Kui, Wu Wenying, Shi Dazu and others in the Southern Song Dynasty, and the school of metrical words prevailed for a while. For example, Zhou Bangyan’s "Jie Lianhuan’s Resentment Without Trust" describes the infatuation with resentment without trust: "Resentment without trust. The lover is cut off, and the news is distant. With skillful hands, you can Jie Lianhuan, like the wind dispersing rain, and the fog is light and the clouds are thin. The swallow house is empty, with a dark dust lock and a string rope bed. Want to move roots and change leaves. It’s all old times, planting red medicine by hand. Du Ruo was born in Tingzhou. The boat bends along the shore, and people are in the corner of the sky. Remember, listen to the book on the same day, and talk nonsense until it is always burned. Shuiyi Spring Festival, hope to send me, Jiangnan plum calyx. Fight for this life, drink for flowers, and cry for Iraq. "
Corresponding to the exquisite upper-class elegant culture, another cultural form is on the scene, which is the vulgar and vivid market culture that grew up in the bustling market life and crowded tile house. "Market" refers to the place where commodities are traded. There are many wells in trading places for people and animals to drink, so it is called a market. In the Northern Song Dynasty, the urban economy was prosperous, shops were opened everywhere, and night markets appeared. As a result, a large number of citizens have been born, and domestic trade centers such as the capital of song dynasty and Chengdu and international trade cities such as Hangzhou, Guangzhou and Quanzhou have emerged. The citizen class grew accordingly.
Citizens seldom care about the country and the people like scholar-officials, nor do they have the grace and leisure like scholar-officials, and they have no intention of pursuing poetic and elegant tastes. Instead, they are addicted to art forms that can directly and enthusiastically satisfy their sensory enjoyment. To meet the needs of the citizens’ class, some popular art forms such as Qu Zi, Jing Gong Diao, zaju, acrobatics and storytelling have emerged.
Cities not only accumulate wealth, but also gather humanities. The "talk" about history and human stories has flourished since the middle Tang Dynasty, and it entered the "golden age" with guilds in the Southern Song Dynasty. The text recording "speech" is called "story book", which is the ancestor of later vernacular novels. A drama called "Song Zaju" was performed in Washe Goulan and commercialized. South Opera, which originated in Wenzhou, corresponds to the south and north of Zaju. In addition, there are burlesque, puppet shows, shadow plays and so on, all of which can find their own audience among the citizens.
The so-called Goulan tile house, the fixed commodity trading and entertainment venue is called tile, tile room or tile house, and the performance venue surrounded by railings in Vacherie is called Goulan. There is a music shed in Goulan for professional artists to perform, and all kinds of cultural programs are performed in Goulan, such as zaju, acrobatics, storytelling, story telling, shadow play, puppet show, scattered music and Qing palace. Say, sing, fight, fight, blow, pull, play and sing everything. Outside the Goulan, the audience gathered, loudly responded, and it was very lively. Cheng Qianfan and Wu Xinlei believe that a prominent feature of the commercialization of Ci-poetry in the Song Dynasty is that "emperors, bureaucrats, scholars and businessmen, from the capital to the local, from the court to the people, can invest to hire musicians to perform at any time". (Cheng Qianfan and Wu Xinlei: Literature History of the Song Dynasty, Shanghai Ancient Books Publishing House, 1991, p. 678)
This kind of vulgar and enthusiastic street culture was very popular in the Song Dynasty. China culture has never connected the creators and appreciators of art so closely as in the Song Dynasty. The rise of this market culture is a historic turning point of China culture: poetry, the main art category in traditional culture, has gradually withdrawn, while opera and novels, a new art form, have moved to the center of the cultural stage.
Inject youthful strength into cultural inheritance and development (solid foundation and new discussion on culture)
Source: People’s Daily
"Do you want to innovate in the lyrics and plot? Make the audience feel more interesting. " "A play is long, no play is short. Traditional operas have to adapt to the theater, and the plot is compact and simple. " This is a daily discussion among young actors in Zhejiang Wuju Art Research Institute. In this troupe, which accounts for nearly 90% of the post-80s, post-90s, and post-00s, the actors practice hard the Four Merits and Five Methods and improve the literary and martial arts, and are active in more than 500 performances every year, so that the audience can feel the "fashion" of the opera.
The new appearance of Wu Opera is the epitome of contemporary China youth’s active participation in cultural inheritance and development. It has become the cultural consciousness of contemporary China youth to explore the cultural roots and take the initiative to inherit and innovate, from the young archaeologists at Sanxingdui archaeological site, to the young restorers who "rejuvenate" ancient villages, and then to the young creative talents in the national wind and tide.
Young people can use new technologies and new means to skillfully combine Chinese excellent traditional culture with contemporary life and open up innovative space. Taking intangible cultural heritage as an example, in the front line of rural revitalization, young people use innovative ideas to stimulate intangible cultural heritage, which not only inherits intangible cultural heritage, but also promotes rural development. Yang Changqin, the representative of the 14th National People’s Congress and the inheritor of the post-90s generation of Chishui bamboo weaving, a provincial-level non-legacy in Guizhou Province, studied skills and innovatively introduced a series of handicrafts such as bamboo weaving porcelain, which directly led to the increase of income of 177 households and 570 people in the ethnic village of Datong Town, Chishui City, and the bamboo weaving industry led to the employment of nearly 30,000 people in surrounding towns and villages. On the Tik Tok platform, in 2022, nearly seven creators in the field of non-legacy became young people, with over 1,000 live broadcasts every day; Young talents from professional troupes such as Huangmei Opera and Huagu Opera have stepped onto the "Cloud Stage", covering more than 300 kinds of operas. Last year, the number of people watching live broadcasts exceeded 2.5 billion, with an average of 3,200. Thanks to the innovative enthusiasm and creativity of youth groups, Chinese culture, including intangible cultural heritage, continues to glow with the glory of the times.
Inheritance needs innovation, and innovation calls for youth. Generate’s creativity in the cultural inheritance and innovation of the youth group proves the enterprising spirit of the Chinese nation, respecting the past and not retro, and reflects the outstanding innovation of Chinese civilization. Growing up in contemporary China, the stage for young people to display their skills is extremely broad. It is expected that the vast number of young people will inject more youthful strength into the cultural inheritance and development with high spirits.
The education industry is expected to face difficulties and reverse. Analysts are optimistic about the future.
The Ministry of Education, the National Bureau of Statistics and the Ministry of Finance recently issued a statistical announcement on the implementation of national education funds in 2022. According to the announcement, the total investment in national education funds in 2022 was 6,132.914 billion yuan, exceeding 6 trillion yuan for the first time, an increase of 5.97% over the previous year. The national financial education expenditure was 4,847.291 billion yuan, an increase of 5.75% over the previous year, accounting for 4.01% of the GDP, which was "generally not less than 4%". The national general public budget for education was 3,925.696 billion yuan, an increase of 4.79% over the previous year, accounting for 15.07% of the general public budget expenditure.
Since 2021, due to the influence of policies and epidemic situation, the market expectation of the education industry has dropped to absolute freezing point due to panic, but the actual quality education enterprises are still struggling to survive. Analysts believe that after three years of double reduction, the current regulatory and supply-demand balance has basically reached a new state, and there is a growth path. At present, the performance changes of relevant companies are only a matter of course under the changes of policies and supply and demand, and they are optimistic about the growth of the sector in the next 3-5 years, and panic and expected changes in policies and sectors may push the valuation up gradually.
According to the theme library of Cailian, among the relevant listed companies:
Jiafa Education’s main business is research and development, production, sales, implementation of educational information products and providing related services to users. The end users of products are mainly educational management institutions at all levels and various schools including k12, secondary vocational schools and universities.
Kevin Education promotes sports, art, science and technology and language training with Kevin characteristics to the society, and provides a complete K12 stage systematic camp education.
This article comes from Cailian Association.
White Paper on Beauty and Skin Care Industry Going to Sea in 2023 (Insight into Global Beauty Consumption Trends)
Source: Feishu Shennuo
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The report consists of 99 pages.
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