Cctv newsAccording to the website of the National Network Information Office, recently, in response to the phenomenon that the people strongly reflect that the App illegally obtains, collects beyond the scope, and excessively claims personal information, the National Internet Information Office has organized the collection and use of personal information of some common types of apps that are widely used by the public, such as short videos, browsers, and job hunting, in accordance with laws and relevant regulations. The relevant information is hereby notified as follows:

　　First, the short video App situation

　　Second, the browser App situation

　　Third, the job recruitment App situation

　　Fourth, the situation of utility App

　　V. Job Requirements

　　In view of the problems found in the inspection, the relevant App operators should complete the rectification within 15 working days from the date of publication of this circular, and send the rectification report to the e-mail address: Appzhili@cac.gov.cn. If the rectification is not completed within the time limit, our office will deal with it according to law.

Produced by | Sohu Auto Sohu New Car

Author | Li Wei

Editor | Ma Liang

I remember that when I was a child, I read The Three Kingdoms at the beginning: "Great things in the world must be separated if they are combined for a long time, and the combination of Wei Lai, Ideal and Tucki seems to have become the new" Three Kingdoms "for new forces to break into the high-end luxury car market. Of course, this time we are not talking about their "combination", but about their own "points". Recently, both Weilai and Tucki have exposed their second brands with lower positioning, and Ideality seems to want to open up new product lines through the less successful MEGA, and has plans to launch low-priced models. Then, why are these new forces in a hurry to open the "trumpet"?

● The turn of new forces to build cars

Unlike those traditional China brands that have gradually developed from low-end to high-end markets, the new car-making forces we all talk about usually choose to enter the market with mid-to high-end products, which not only means that they can make more rich profits, but also help the innovation and application of cutting-edge technologies, and also establish their own higher brand image and tonality.

The most typical one is Weilai, whose target is always the German luxury giant BBA (Mercedes-Benz, BMW, Audi), and we can also see Weilai’s exhibition hall in the middle and high-end business districts of major cities. Judging from the sales achievement of 160,000 yuan in 2023, Weilai’s brand image has initially stood firm in the middle and high-end market (300,000-500,000 yuan), but compared with the huge domestic base, there is still huge room for improvement. So we saw the second brand that has announced its official name-"Ledao".

According to the previous news, "Ledao" will be released in the first half of May, and it will focus on the new energy family car market of 200,000-300,000 yuan. All models will be developed based on NT3.0, the third generation technology platform of Weilai. Judging from the spy photos previously exposed, Ledao’s first model is a pure electric slip-back SUV, or it will be named L60, which will be unveiled in the second quarter of this year, listed in the third quarter and delivered in the fourth quarter.

Different from Weilai’s existing products, Ledao L60 (tentatively named) is mainly based on Model Y. The official revealed that the cost of this car is about 10% lower than that of Tesla Model Y, and the price has an advantage; With the listing of Xiaomi SU7, it seems that this model has more late-comer advantages in pricing. At the same time, Weilai has also planned about 60kWh and 90kWh versions for this car, and will be compatible with Weilai’s power exchange service.

Not only that, but in addition to Ledao, Weilai will also launch the third brand-Firefly. The spy photos of the first model have been exposed. It is said that it also focuses on exchangeable electricity. It is estimated that the price will be controlled within 200,000, and it will be produced in Hefei, Anhui, with high cost performance.

Unlike Weilai’s high-profile brand image, Tucki opened its early market through Tucki G3, whose price is relatively close to the people. However, judging from the recent product layout and planning, with the listing of Tucki X9, whose price has exceeded 400,000 yuan, the focus of the brand has shifted to higher-priced models. Judging from the sales achievement of 142,000 vehicles in 2023, Tucki can’t achieve scale effect with existing products, so it is imperative to launch new brands.

In fact, Tucki officials have confirmed the existence of the new brand, which is expected to be released at the Beijing Auto Show. Combined with the previous news, the brand expects the project code to be "MONA", which is positioned at the level of 100,000-150,000 yuan, and the first product will be listed in the third quarter of 2024. Xpeng Motors will integrate the technical foundation of Didi Chuche in MONA project, and add the intelligent software capabilities such as XNGP and intelligent cockpit developed by Xpeng Motors, and the related products will be manufactured in its own production base in Xpeng Motors.

It is worth mentioning that Volkswagen has also signed a technical cooperation agreement with Tucki, and announced that it will jointly develop two intelligent networked vehicles for the China market. Tucki will provide the platform and technology, and Volkswagen will do engineering research and development, design and manufacture. The first two models have been confirmed to be listed in 2026, and the first product will be an SUV. Although this is not a new brand, it is also a new change in the development direction of new forces compared with traditional overseas car companies.

At present, LI has not made it clear whether it will launch multi-brand strategy, but from its product planning, it can smell the breath of exploring the middle market. Ideally, the price of the upcoming L6 model is expected to be lower than the 300,000-yuan mark for the first time, changing the pricing tradition of all previous models to more than 300,000 yuan. From 450,000 yuan for L9, 560,000 yuan for MEGA, to less than 300,000 yuan for L6, Ideal is also trying to leverage price to incite a broader market demand.

In fact, from the above summary of "Wei Xiaoli", it is not difficult to see that with the gradual maturity of the new car-making forces, the greatest significance of sub-brands lies in their ability to break the thinking framework of existing brands, enrich their own product matrix, and capture more users with different consumption levels through differentiated competition. After all, high-end luxury and pragmatism are contradictory, and it is impossible for 20-year-old users and 50-year-old users to have the same car demand. These may be one of the reasons why new power brands launch new brands, but there may be others in combination with the current market. ….

The road to survival under "involution"

At present, the new energy market of 150,000-300,000+concentrates the fiercest competitive firepower of domestic new energy vehicle companies, including new power vehicle companies, traditional China brands, and more and more new car-making players: with the help of Huawei’s blessing, the world has moved to the front desk, with sales exceeding 10,000 in three months; The admission of Xiaomi SU7 at least taught the car companies a lesson in marketing; The practice of creating brand-new brands and grafting mature supply chains and production lines has also been played by Changan, SAIC, Geely, Great Wall and BYD. As for the traditional multinational car giants such as Volkswagen, GM, Toyota and BBA, they will naturally not miss the domestic electric vehicle feast, and continue to increase the pace of launching new cars in the field of smart electric vehicles.

As for the mature "Wei Xiaoli", it seems that it has reached the "year of no doubt", which not only lacks some new-comer spirit, but also faces the reality of survival. It is well known that the new forces making cars are losing money. In 2023, Weilai’s net loss reached 20.72 billion yuan, an increase of 6.283 billion yuan over the previous year. Xpeng Motors’s net loss in 2023 was 10.38 billion yuan, up 13.6% year-on-year. Due to the failure to achieve the scale effect, new car-making enterprises such as Weilai and Tucki have been unable to achieve profitability, which also makes Weimar, who has gone bankrupt, and Gao He, who is still lying in the ICU, smile at each other. ….

Therefore, the underlying reasons for Weilai and Tucki to launch sub-brands are to reduce costs, reduce losses and promote the profitability process. Once the value chain of a new car enterprise is formed, the marginal cost of launching a new brand is relatively low, and the existing technology, platform, production, marketing and channel service capabilities can be fully utilized. Covering multiple market segments through multiple brands can effectively increase sales and market share, so as to improve financial performance quickly.

In fact, both Tucki and Weilai have said before that they expect to turn losses into profits or break even in 2025, which means that Weilai and Tucki have only two years to achieve their profit targets, and marching into the lower-priced market with a larger share has become their common choice.

Can the multi-brand road really work?

I have to say that it is not an easy task to run many brands. If we want to make enough differentiation between different sub-brands, it means that car companies need to have sufficient technical reserves, otherwise it will inevitably form mutual relations between sub-brands. For intelligent electric vehicles, at least there should be enough separation in the core areas of vehicle platform, three-electric system, intelligent cockpit and automatic driving. How to create differentiation with as little capital investment and limited technical reserves within a limited pricing interval is a challenge they have to face.

In addition, with the cost reduction, for Weilai, a new force with high investment in service and power exchange capacity as its selling point, it is bound to choose between price and selling point. And the third brand of Weilai, which has lost its service and power exchange, depends on what to kill the quartet in the sinking market?

At the same time, positioning different series under the same brand and launching brand-new sub-brands can certainly establish a complete product matrix, but it also means that no matter from marketing, marketing channels, or even car owners’ community apps, we must start from scratch. The increased operating costs behind it will also be a big burden.

Say at the end:

The strategy of "having more children and fighting" once pursued by China brand seems to be not practical in today’s market, and it is obviously not the will of the new forces that are maturing. Therefore, the second brand under the "prenatal and postnatal care" seems to be a more secure way. After all, with the increase of the penetration rate of new energy vehicles, it will be more and more difficult to eat the world through one or two explosive products, and the new energy market will blossom like the current fuel vehicle market.

　　On December 28th, it was 1003 days since Xiaomi officially announced the car, and less than 100 days after the first car SU7 was officially released.Finally held the first press conference in Beijing. In two and a half hours, Xiaomi Chairman and CEO Lei Jun was right., platform architecture, self-developed CTB integration, die casting, automatic driving, intelligent cockpit and other technologies, as well as the design of the first car SU7.

　　It is worth mentioning that there have been rumors in the industry that the starting price of the first car is 149,000 yuan. When explaining the products, Lei Jun said that the price of products with the same performance and configuration is more than 400,000 yuan. "Don’t talk about 99,000, it’s impossible, and don’t talk about 149,000. We still have to respect technology."

　　Just a few days before the press conference, Lei Jun himself frequently voiced through the media and social platforms to explain the concept and goals of Xiaomi Automobile. Xiaomi Auto even included several outdoor billboards,、, Ideal, Huawei, etc.The car "pioneer" pays tribute. However, Lei Jun did not disclose the information about the price of products that users and industries are more concerned about.

　　In March 2021, Xiaomi officially announced its entry into the smart electric vehicle industry, and plans to achieve mass production in the first half of 2024. In Q1 financial report in 2021, Xiaomi put forward the strategy of intelligent electric vehicle for the first time.

　　In September 2021, Xiaomi officially registered Xiaomi Automobile Co., Ltd. with a registered capital of 10 billion yuan, and Lei Jun personally served as the legal representative.

　　At the same time, Xiaomi officialThe photo of Lei Jun and the other 16 team backbones was released. Except for Li Tianyuan, a former BMW Group IX designer, the others were all internal backbones of Xiaomi. Lei Jun personally took the lead as CEO of Xiaomi Automobile, and three Xiaomi partners, Hong Feng, Lu Weibing and Liu De, served as Xiaomi Automobile.And supervisors.

　　Since then, Xiaomi has rapidly recruited mature talents in the automotive industry in the fields of R&D, manufacturing, supply chain and intelligence, including Yu Liguo, former president of Polar Fox, Huang Zhenyu, former vice president of Magna China, and Hu Zhengnan, former president of Geely Research Institute.

　　The reporter learned that compared with traditional car companies, the organizational structure of Xiaomi Automobile is flatter. More than 10 business divisions have been established under CEO Lei Jun, and the general manager of each business division reports directly to Lei Jun.. Among them, Huang Zhenyu from Magna is the general manager of the supply chain department, and Li Xiaoshuang from Xiaomi’s former department is the general manager of the marketing department.

　　The construction of Xiaomi Auto Autopilot Team was earlier than the official registration of the company. In July 2021, Xiaomi released 500 jobs related to autonomous driving on the official recruitment interface, including decision-making planning, algorithms and other fields of autonomous driving. In August 2021, Xiaomi announced the acquisition of Shendong Technology, an autonomous driving technology company, with a total transaction amount of about 77.37 million US dollars. Since then, the former CEO of Shendong Technology Cai Rui, CTO Li Zhiwei, chief scientist Yang Kuiyuan and R&D director Zhang Chi have joined Xiaomi Automobile. In Xiaomi’s official micro-business, the above four people are called "super brain" of Xiaomi Automobile.

　　As of the second quarter of 2023, the number of R&D personnel related to Xiaomi Automobile has approached 3,000. Recently, Lei Jun said in an interview with the media that Xiaomi’s first car invested 3,400 engineers as a whole, and the entire R&D investment exceeded 10 billion.

　　Different from Huawei’s smart car selection model and new OEM model, Xiaomi Automobile decided to firmly grasp manufacturing in its hands. In the second quarter of 2022, the construction of Xiaomi Automobile’s car-making base in Yizhuang New City started. CBN previously reported that Xiaomi Automobile Factory will be built in two phases. The first phase covers an area of nearly 720,000 square meters. It will be started in April 2022 and completed in June 2023. The annual production capacity is expected to reach 200,000 vehicles. The whole base includes six workshops, including die casting, stamping, body painting, final assembly and so on, which are divided into No.1 workshop for punching, welding, painting and power to No.4 workshop and test building. The second phase is planned to start in 2024 and be completed in 2025.

　　On December 25 and 26 this year, Lei Jun published "small essays" on Xiaomi Automobile in succession, and published his views of "insisting on positive development and starting from the underlying core technology". At today’s press conference, Lei Jun said that in the first stage of the automobile industry, cars were just travel vehicles; In the second stage of the automobile industry, the automobile is transformed into a mobile computing terminal; In the third stage of the automobile industry, the automobile will further evolve into an "advanced mobile intelligent space", and this is the starting point for Xiaomi to build a car.

　　In order to ensure the success of the first car, Lei Jun called it "ten times investment to build a good car", with a total R&D investment of 10 billion yuan. At today’s press conference, Lei Jun introduced Xiaomi’s investment and achievements in the fields of electronic control, die casting integration and self-developed battery technology. Among them, Xiaomi has applied for 155 patents in the field of electronic control and obtained more than 60 patents.

　　In the core field of automatic driving and intelligent cockpit, Xiaomi Intelligent Driving System has the functions of calling vehicles with one button, automatically entering the ramp, actively changing lanes and overtaking, unprotected turning/turning, automatic parking service and so on, covering high-speed, urban areas, parking lots and other scenes. In addition, Xiaomi’s self-developed 澎湃 OS also announced to get on the bus, realizing the complete opening of the whole ecology of people and cars.

　　The opening of Xiaomi automobile, Xiaomi mobile phone and Xiaomi ecological products is also considered to be the biggest advantage of Xiaomi car.

　　The revolution of intelligent electric vehicle is not only the upgrade of automobile power form, but also the key change lies in the establishment of electronic and electrical architecture, the decoupling of software and hardware technology and the development of intelligent application. Automobile has derived hardware and software control systems from mechanical parts, and applications such as assisted driving and intelligent cockpit have intensified the industrial differentiation of smart cars, and formed a series of industrial chain links such as mechanical parts, hardware, software, internet and charging.

　　As a leading manufacturer of smart phones, Xiaomi has a deep accumulation in the field of software algorithms. Chips, cameras and panels are also important parts of automobiles. Xiaomi Automobile can improve R&D efficiency and quality by reusing R&D talents and supply chains of mobile phones and other businesses.

　　In addition, "mobile phone ×AIOT () "is the core strategy that Xiaomi has adhered to for a long time. By Q2 of 2023, the connected equipment of Xiaomi AIOT platform has reached 655 million; The number of active users of Mijia APP reached 82.9 million. The addition of smart cars will make Xiaomi’s layout in the intelligent hardware ecosystem more perfect and have greater value. In the future, Xiaomi will realize mobile phones, cars, tablets, wearable devices,Fully connected, fully integrated in operating system, application ecology, underlying data and hardware mutual assistance, creating a new experience of multi-device collaborative cross-device and cross-scene intelligent cockpit.

　　It is believed that the car system and native application of Xiaomi Automobile will also become favorable channels for Internet advertising. mounted on a vehicle, audio-visual entertainment, etc. may also build a sharing mechanism similar to mobile phones, which is expected to become an additional channel for realizing the company’s Internet business. At the same time, considering the high-end positioning of Xiaomi smart car, the ARPU space of advertising and other services is expected to be higher than the average level of mobile Internet services. Due to the nature of high gross profit,It is the core business of Xiaomi to create profits, and this logic is also expected to be fulfilled on the automobile side.

　　The reporter noticed that as a company good at software and a "new army" in the automobile industry, Xiaomi Automobile’s research and investment in automobile technology and materials broke the outside world’s perception of Xiaomi. At the technical conference, Xiaomi Automobile released the super motor V8s, which has a rotating speed of 27200rpm, a maximum horsepower of 578ps, a peak power of 425kW, a peak torque of 635N.m, a maximum efficiency of 98.11% and a power density of 10.14kW/kg. It is expected to get on the train in 2025. At present, the mainstream motor speed in the industry is below 20000rpm, onlyThe motor speed of a few products such as, Zhiji can exceed 20000rpm. Lei Jun also said at the press conference that the power density of Xiaomi automobile motor is ahead of that of Porsche.

　　At the same time, the Xiaomi super motor technology is pre-researched, and the carbon fiber laser winding process is adopted, and the rotation speed reaches 35000rpm；; In terms of car body, Xiaomi Automobile adopts the self-developed material "Xiaomi Titan Alloy", which contains 30% recycled aluminum, and Xiaomi Automobile has become the second car company to independently develop car body metal materials; In addition, Xiaomi’s first product, SU7, will also adopt technologies such as battery body integration (CTC) and integrated die casting.

　　As the time for mass production to market approaches, information about suppliers of SU7, Xiaomi’s first pure electric car, has surfaced one after another, among which battery cells come from.And its subsidiary Xiangyang Fudi Co., Ltd., will provide three yuan respectively.And iron phosphate; ABS braking system comes from Bosch Suzhou; The driving motors are provided by Suzhou Huichuan United Power System Co., Ltd. and United Automotive Electronics Co., Ltd. respectively. Besides,、、、、、、、、、A number of A-share listed companies have said that they have entered the Xiaomi Automobile Purchasing Group.

　　In addition, Xiaomi has invested in a number of electrification and intelligent parts., three electric systems, intelligent cockpit and intelligent driving companies, including more than 30 investments in the field. In the field of intelligent driving, Xiaomi acquired Shendong Technology and invested.Technology,wait for、Millimeter wave radar company has basically realized the layout of the whole industrial chain of intelligent driving.

　　Some analysts in the industry believe that smart electric vehicles are in the most competitive knockout stage, and Xiaomi cars are too late to catch up with the most "rolling" stage. But there are alsocompanyIt is believed that the smart electric vehicle is going through the transition stage from the initial stage of smart phone development to the second half, and the market concentration is still relatively low. From the structure of the development history of the mobile phone market, the first Mover may not come to the end, and the latecomers still have the opportunity to catch up.

　　On March 12th, Lei Jun, founder, chairman and CEO of Xiaomi Group, announced in Weibo that Xiaomi SU7 will be officially released on March 28th. On March 25th, 59 stores in 29 cities including Beijing, Shanghai, Guangzhou, Shenzhen and Changsha will open appointments simultaneously.

　　Lei Jun said on the social platform that this is our three-year contract.

　　Image source: Weibo

　　The secret is only the price

　　Building a car is the most concerned topic in Xiaomi in the past year, and it is also an important part of the whole ecology of Xiaomi people, cars and families. To this end, Lei Jun also gave up the keynote speech at the Xiaomi 14Ultra conference, saying that he would put more energy into the automobile business.

　　At the Xiaomi Automobile Technology Conference in December 2023, Lei Jun said that there are three kinds of SU7 in appearance: bay blue, elegant gray and olive green. In terms of performance, it supports the ejection start, with a top speed of 265 kilometers per hour, an acceleration of 2.78 seconds per 100 kilometers and a battery life of 800 kilometers.

　　With the disclosure of SU7′ s appearance, performance and other aspects, the price became the final suspense of the conference.

　　On March 6th, Li Guoqing, founder of Dangdang, sent a video calling Lei Jun, and set the price of Xiaomi Automobile at 150,000-200,000 yuan.

　　Li Guoqing said in the video: "Mr. Lei, pay attention to it. () The price has been reduced, and 85,000 yuan has been obtained … The appearance is atmospheric and the sense of experience has increased, but the price of the battery has been reduced … For 50 million fans, I will give you a price, 150,000-200,000, and forget about 400,000-500,000."

　　Previously, a screenshot from the Internet said that the basic price of Xiaomi Automobile was 219,000 yuan, but it was refuted by Wang Hua, general manager of Xiaomi Group’s public relations department in Weibo.

　　The general curiosity of the market is essentially to know whether Xiaomi can still play a "cost-effective" role in the context of the automobile price war in 2023 and 2024.

　　Since 2024, the price war of car companies has been in full swing. The original price of more than 200,000 yuan fell to less than 200,000 yuan, and the price reduction of A-class cars came to the range of 70,000 yuan, and the range of 150,000 yuan to 200,000 yuan became a battleground.

　　On March 11th, Nezha Automobile Terminal launched a big welfare promotion activity, and the purchase of Nezha AYA and Nezha X can participate in the extraction of Nezha U-II half-price car purchase qualification; All Tucki G6 models have a limited time discount of 20,000 yuan, entering the range of less than 200,000 yuan; BYD, Tesla, Chery, Geely and many other car companies have also announced price cuts.

　　The market’s expectation of Xiaomi’s "cost performance" is also to see if Xiaomi’s car will enter the market and whether it can add fire to the price war of car companies. Chen Shihua, deputy secretary-general of China Automobile Industry Association, also said that the current price range of 150,000-200,000 yuan is the most competitive price range for new energy vehicles.

　　In this regard, Lei Jun once said: "The pricing of Xiaomi SU7 is indeed a bit expensive, but it will definitely make everyone feel that it is expensive, and the experience will definitely exceed everyone’s expectations."

　　Recently, Lei Jun is acceptingThe reporter said in an interview: "At this moment, the competition in the new energy vehicle market is fierce, and I think Xiaomi Automobile is ready."

　　Build the top five car factories in the world

　　Xiaomi has a clear goal to build Xiaomi’s "full ecology of people and cars" and expressed his willingness to spend 15 -20 years building cars.

　　At the Xiaomi Automobile Technology Conference held at the end of last year, Lei Jun said that the application ecology of Xiaomi tablet can be seamlessly boarded, and the mobile phone application can also be pinned to the car to become the native application of the car. All the equipment of Mijia can get on the car without feeling. In addition, Xiaomi has also created the CarIoT ecosystem, which is fully open to third parties.

　　The listing of Xiaomi Automobile will make Xiaomi’s "all-ecological strategy for people and cars" officially closed. "This is our major, and we don’t have to compare with others. Xiaomi is strong in ecology." Lei Jun said.

　　Xiaomi said that it plans to invest 10 billion US dollars and strive to become the top 5 car factories in the world in 15 to 20 years. Lei Jun said: "We have 10 or 20 years of determination and courage, and I believe that Xiaomi Automobile will be successful."

　　For Apple, which has been preparing for ten years, to give up making cars, Lei Jun made no secret of his surprise. On February 28th, Lei Jun released Weibo and said, "I am very shocked to see this news! Xiaomi’s strategy is’ the whole ecology of people and cars’. We are well aware of the difficulty of building a car. Three years ago, we still made an extremely firm strategic choice and seriously built a good car for rice noodles! "

　　According to the official poster of Xiaomi Automobile, 59 Xiaomi Automobile stores will be opened in 29 cities across the country, and the scheduled test drive will be started three days earlier than the press conference (March 25th). The reporter learned that these 29 cities are Beijing, Shanghai, Guangzhou, Shenzhen, Wuhan, Hangzhou, Chengdu, Suzhou, Nanjing, Wenzhou, Ningbo, Wuxi, Chongqing, Foshan, Dongguan, Xi ‘an, Zhengzhou, Tianjin, Xiamen, Hefei, Changsha, Qingdao, Haikou, Shijiazhuang, Kunming, Fuzhou, Taiyuan, Nanchang and Shenyang. There are 8 stores in Beijing, 6 stores in Shanghai and 5 stores in Guangzhou.

Cctv newsRecently, at the press conference on the development of industrial communication industry in the first half of the year held by the State Council Office, Xin Guobin, Vice Minister of the Ministry of Industry and Information Technology, gave a detailed introduction to the characteristics of new energy vehicles’ power exchange mode when answering a reporter’s question, which was clear in organization and could be called a textbook answer.

He believes that charging and changing electricity are both ways to supplement the energy of electric vehicles, each with its own advantages, its own application fields and consumer groups. At present, although new energy vehicles have made great progress, they are still in the early stage of industrial development. The technical route and business model are still being explored and changed. He suggested that everyone should support the innovative development of new technologies, new formats and new models, encourage enterprises to develop new charging and power exchange technologies, and explore the application of the mode of separation of vehicles and electricity to meet the needs of different markets.

Compared with the charging methods that you know more about, the power exchange mode also has its own characteristics. Xin Guobin can be summarized as follows.

First, the separation of vehicles and electricity can greatly reduce the cost of consumers buying cars.Now it is generally felt that new energy vehicles are relatively expensive, although the state has a subsidy policy. Moreover, the subsidy policy of this country has made it clear that the slope retreat will be completed by the end of this year. Due to the impact of the epidemic, it is decided to postpone the progress of slope retreat, and it can be extended for another period. Therefore, the separation of vehicle and electricity can greatly reduce the cost of car purchase for consumers.

Second, it can increase the convenience for consumers to travel.The time for changing batteries is even shorter than that for adding a tank of oil. Relevant comparisons show that, for example, if the power station is changed now, it takes less than 3 minutes for the car to drive in and out, and it takes 5 minutes or 8 minutes to add a tank of oil. Therefore, changing electricity is actually very convenient as long as you get used to it.

Third, the centralized monitoring, maintenance and management of batteries by battery operating companies is conducive to prolonging the life of power batteries and improving the safety of batteries.Consumers buy new energy vehicles, and many people just drive them, so the care, attention and maintenance of the vehicles are not so timely. In fact, the battery is also a very fragile component. In addition to the battery monomer, there is also the management problem of the battery pack, which requires high technical requirements and needs to be maintained and tested in time during use. Otherwise, there is a great risk during charging and one hour after charging. Once the thermal control and management are not good, deflagration may occur. Even with this problem, the spontaneous combustion rate of new energy vehicles is lower than that of traditional vehicles. Centralized management by battery operating companies can improve the safety of batteries. In fact, it is very important to change the concept. It is natural and normal for traditional cars to go to gas stations to refuel, so it should be possible for new energy vehicles and electric vehicles to change batteries and rent electricity.

The fourth is to use the difference between peak and valley electricity prices to reduce the charging cost.At present, new energy vehicles are often driven home to charge at night and charged at peak hours, so the price of electricity will be relatively high. If a battery operation company manages batteries, it can fully use the peak-valley preferential electricity price to charge, which can reduce the cost of renting batteries.

Fifth, we can consider how much electricity to rent that day according to the daily mileage.At present, the basic driving range of new energy electric vehicles is 400 kilometers, and a set of batteries in a car is six or seven hundred kilograms, which accounts for a high proportion of vehicle weight. In fact, most people don’t travel more than 50 kilometers a day. Imagine that if you want to run 50 kilometers today, you can rent 50 kilometers of batteries instead of carrying 400 kilometers of batteries, so the weight of the car will be greatly reduced and the power consumption will be greatly reduced. For the whole society, if everyone does this, it will be a great savings. If you are worried about how to rent 50 kilometers of electricity, as a battery operating company, you can do it if you want 50 kilometers and allocate 70 kilometers of electricity just in case there is a little problem.

There’s another way,It can solve the problem of difficult construction of charging piles in old communities.Now, there is still a concern for people to buy new energy vehicles. They live in an old community and need to build a charging pile. The voltage load in this community is not enough, so they can’t install it. When the charging pile company wants to install in this community, it encounters some problems, such as insufficient power load. Who will expand the capacity? Who will pay for the expansion? Therefore, it brings a series of problems. The construction of charging piles in old communities is a social problem and difficult to handle. Therefore, if the power exchange mode is adopted, this problem can be effectively solved.

Sixth, the power exchange model can also give birth to some new service formats.Nowadays, express delivery is very convenient. You can get to your side in 10 minutes by making a phone call. If the industry adopts the mode of changing electricity, engages in a tram and swims in the street, whoever proposes to change electricity must ensure that it will arrive within 10 minutes. In fact, there is no technical problem. This may give birth to some new service models.

Of course, there are still many problems to be solved to promote this power exchange mode. For example, the overall design of the vehicle, the battery box should be standardized and unified, there should be national standards, and the battery should also be standardized, whether it is soft or hard, square or cylindrical, the specifications should be standardized. In addition, the plug-in of batteries should also be standardized, which still needs further exploration.

However, from a technical point of view, there should be no major problems. Therefore, in the next step, the Ministry of Industry and Information Technology will continue to vigorously promote the construction of this charging and replacing infrastructure with relevant departments, further improve relevant technical standards and management policies, and encourage enterprises to develop battery replacement models according to usage scenarios. It will also support pilot projects in places like Beijing and Hainan to promote the high-quality development of new energy vehicles.

In this regard, some places are still moving faster, such as Beijing, where enterprises are ready to push this mode of power exchange. In some fields, such as buses in public transportation, some electric buses adopt the mode of changing electricity. In the field of taxis, some have adopted the electricity-changing mode. For example, after the taxis in Beijing adopted the electricity-changing mode, the order-taking rate increased by more than 30%, the driving mileage increased by nearly 30%, and the personal income of taxi drivers also increased by more than 30%.This is a very beneficial model for all parties.

In the next step, relevant departments will actively promote it. Xin Guobin also put forward an initiative. Welcome everyone to publicize these new things and new formats, give them more encouragement and support, let them mature at an early date, and make more contributions to the green development of the whole society.

Transfer from: Upstream News

On April 6th, Xiaomi Auto released Xiaomi SU7 to answer questions from netizens (episode IX), which responded to 14 questions about where the name of Xiaomi SU7 came from, why the insurance cost was close to that of more than 500,000 oil trucks, and whether one-button Boost could be used continuously.

?01?

Is there any reason why Xiaomi SU7 is named?

SU, short for Speed Ultra. High performance is the gene of Xiaomi. I believe that the excellent performance of Xiaomi SU7 will not be questioned after reading so many evaluations. As for how to pronounce it, we also discussed it seriously internally. In the end, everyone thought that it would be more cordial to call it "Su Qi", just like calling a friend’s name.

?02

The unique number nameplate on the steering wheel of Xiaomi SU7 inaugural edition, some netizens said it was a sticker, is this true?

The exclusive nameplate is carefully created by us for the founding users. Nickel-based chrome-plated metal plate is used, and the number is carved with laser laser. The texture is very good, of course, it is not a sticker. ?

In order to give users the greatest freedom to use the car, we didn’t engrave the numbered laser on the steering wheel, but used the exclusive nameplate attached with the car. You can choose whether to attach it in the APP. ?

?03

The insurance cost of Xiaomi SU7 is close to that of more than 500,000 oil trucks. Why?

The commercial insurance clauses of new energy vehicles and fuel vehicles are different. The exclusive clauses of new energy vehicles not only provide protection for the "three electricity" system, but also comprehensively cover the use scenarios of driving, parking, charging and operation of new energy vehicles. And it will be comprehensively calculated according to new/used cars, brands, models, household types, insurance types, insurance coverage and other factors, and the premium prices are not the same, so it is impossible to simply compare them by car prices. ?

?04

If Xiaomi’s official cooperative insurance is not adopted, will it be treated differently when picking up the car? ?

Xiaomi provides official cooperative insurance services, but users are free to choose insurance companies and will not be treated differently. ?

?05

Why does the founding version of Xiaomi SU7 still show the status of "to be produced" on the APP? ?

Our delivery classmates are busy coordinating the delivery of resources for everyone’s vehicles. After the vehicles arrive at the delivery center, everyone can see their vehicle status updates. ?

?06

　　Hao Zhongyou’s daughter holds his portrait.

　　Hao Zhongyou’s moment of diving

　　Name: Hao Zhongyou

　　Net name: society and you, Sichuan mouse brother

　　Occupation: migrant workers

　　Dead: 28 years old

　　Cause of death:

　　In order to shoot a video "fire", I jumped into the river and my head hit the bottom and died.

　　On the twelfth day of the first month, the mountain village is still full of joy for the New Year. No one expected that Hao Zhongyou, a 28-year-old young man from Wutong Village, Xunsi Town, Junlian County, Yibin City, had turned into an altar of ashes and returned to his hometown. Two days later, on February 18th, the morning before the Lantern Festival, Hao Zhongyou was buried by his father’s side, shouting from relatives and friends and sobbing from his daughter and mother. Buried together, there is his "online celebrity" dream of "waiting for the fire in the future, so you don’t have to go to work".

　　On the fifth day of the first month, on the afternoon of February 9th, Hao Zhongyou, a user of "Aauto Quicker" who worked in Ke Qiao, Shaoxing, Zhejiang Province, unfortunately hit the bottom of his head and died after being rescued.

　　The death of life

　　"Many old irons say it’s not exciting,

　　I will give you a performance today. "

　　The incident occurred on February 9, the fifth day of the first month of the New Year in Jihai. No matter in Zhejiang or Sichuan, all the lights were decorated and the flavor of the year was strong. According to local media reports in Zhejiang, Aauto Quicker anchor "Society and Your Sichuan Mouse Brother" invited Huang Yihu, a migrant worker in Keqiao District who also likes to brush small videos, as his photographer to shoot a short video, in which "Mouse Brother" dressed in a thin cloth costume jumped into the icy river from the river ridge near Yingjiaqiao Community in Ke Qiao.

　　Jump into the river for a short video.

　　"Mouse Brother", whose real name is Hao Zhongyou, is 28 years old, and he is a villager in Group 8 of Wutong Village, Xunsi Town, Junlian County, Yibin City, Sichuan Province. Huang Yihu is also a Qilian person, and they met through the network platform because of brushing a small video. After learning that they were fellow villagers in Qilian, they added WeChat to each other. Huang Yihu told the local media afterwards that it was less than an hour since he and Hao Zhongyou realized the accident.

　　In the mobile phone of Hao Zhongyou’s second uncle Hao Conglin, he still kept the 13-second short video he got after he arrived in Shaoxing, Zhejiang. In the video, Hao Zhongyou stands barefoot on the marble ridge by the river, wearing a cloth costume, which is very thin. Huang Yihu didn’t appear in the picture. He took Hao Zhongyou’s mobile phone in his left hand and his own mobile phone in his right hand.

　　"Come on, three, two, one." Hao Zhongyou in the video has a relaxed expression, facing the river and pointing his left hand at the mobile phone. "A lot of old irons said that I made jokes, not that (exciting). Today, I’ll give you a performance to remind my friends that it’s only four degrees Celsius. I will shoot a diving joke for the old irons here. " Hao Zhongyou finished and jumped into the river. Hao Zhongyou speaks "Trump" with a strong accent, and he is a bit inarticulate.

　　The 13-second video came to an abrupt end. This video became the last image of Hao Zhongyou’s life, "making a diving joke", and it also became his last dialogue with the world. Huang Yihu soon found that Hao Zhongyou was in a wrong situation after entering the water. With the help of passers-by, he was taken out of the river and sent to the hospital. Huang Yihu told the media that when he went down to the river, he found that the river was very shallow, less than his knee. He found that Hao Zhongyou had head and face injuries.

　　Huang Yihu claimed that he had persuaded Hao Zhongyou to give up before the incident, but he failed. Huang Yihu once told the media, "In a short chat before the incident, Hao Zhongyou revealed to me that the small video of the Spring Festival in Anchang Ancient Town was broadcast live before, which was very popular. He earned hundreds of dollars and was greatly encouraged. He decided to manage the live account well and shared his outlook for the future with me." Huang Yihu also told the media: "He said that when he got angry, he would not have to go to work in the future and make money by live broadcast."

　　The video shows that Hao Zhongyou’s head is in front, slanting and planting into the water. Later, Hao Zhongyou was sent to hospital and died. After investigation by the local police, he ruled out the suspicion of homicide.

　　What should my daughter do if she leaves a "mess"?

　　"There was a hole in the crown of the skull, and the police said there was blood in the chest." Hao Zhongluo, the 31-year-old brother of Hao Zhongyou, told reporters that on the seventh day of the first month, they had to travel for nearly 40 hours before they arrived in Ke Qiao to see the body. After that, I met Huang Yihu, a fellow villager of Junlian who filmed a video for Hao Zhongyou. "I heard that he killed fish in the local area, a very honest person." Hao Zhongluo said that Huang Yihu is older than Hao Zhongyou and his family is not rich.

　　Under the mediation of the local judicial bureau, Hao Zhongluo and Huang Yihu reached an agreement, and Huang Yihu compensated the economic loss of 10,000 yuan at a time, and then gave Hao Zhongyou’s daughter 300 yuan living expenses every month until the child reached the age of 18. "The money is on my mother’s card, and she is taking care of the children." Hao Zhongluo said that he and his family recognized this demodulation opinion. Before that, they got a short video taken at the time of the incident and basically recognized that Huang Yihu had no responsibility in this matter.

　　Under pressure, Hao Zhongluo borrowed 30,000 to 40,000 yuan to take care of his brother’s funeral. "If you work in the future, it will take a year to pay off your debts." Some people in my hometown think that Hao Zhongyou’s "online celebrity Dream" is broken, leaving a pile of "mess".

　　It is understood that Hao Zhongyou talked about the object soon after he went out to Zhejiang and soon gave birth to his daughter. However, in less than two years, the "wife" of his hometown in Henan broke up with him, and Hao Zhongyou gave his daughter to his mother for support. The elders told reporters that Hao Zhongyou would symbolically send some living expenses to his daughter every month, but the amount was not fixed. After Hao Zhongyou’s mother remarried, she took her granddaughter to another village to live and study, and assumed the heavy responsibility of raising her.

　　In the past few years, my daughter and Hao Zhongyou haven’t seen each other several times, so even if her father died, her daughter rarely showed her feelings. "At least she had a father before. Now that her father is dead, what will she do in her future life?" The livelihood of Hao Zhongyou’s daughter has become a new topic of debate among Hao’s family.

　　Online celebrity Dream

　　"The video of the Chinese New Year was rewarded.

　　May have encouraged him. "

　　Hao Zhongyou’s home, on the rock edge of a big ravine, is one of the most remote villagers’ groups in Xunsi Town. The ditch is deep and steep, there is no paddy field, and the drought is serious. Most local young people go out to work. Hao Zhongyou has four brothers in his family, ranking second. Big brother Hao Zhongluo was taken out to work by his cousin when he was very young. He earned money 16 years ago and changed the original adobe straw house into a brick house. Because it was uninhabited for a long time, the brick house leaked everywhere and the family was surrounded. The above is the real situation of his family. So what kind of image does he show on the platform of Aauto Quicker?

　　Claiming to be a chef, my brother is not sure

　　Go back to the day of the incident. At around 21: 00 on February 9, Hao Zhongluo had just finished cleaning up at home in a rented room in Xunsi Town, Junlian, Yibin. My wife’s phone suddenly rang. "The caller claimed to be the Qi Xian police station in Ke Qiao, Shaoxing. He said that my brother had an accident shooting Aauto Quicker in the afternoon." Hao Zhongluo told reporters that he couldn’t believe that he entrusted a neighbor who worked in Ke Qiao in his hometown to find out that his brother was really "gone".

　　"At that time, I couldn’t buy a plane ticket or a high-speed rail ticket." The sudden change made the wussy Hao Zhongluo feel at a loss, so he quickly called his second uncle Hao Conglin, and an uncle discussed that he could only charter a car from the patrol company to Zhejiang. Hao Zhongluo told reporters that it was only a few days before the Chinese New Year that he accidentally found his brother’s account on Aauto Quicker. Hao Zhongluo never imagined that he had only paid attention to his brother’s Aauto Quicker account for about ten days, and then there was bad news.

　　Hao Zhongyou, like his eldest brother, has only a third-grade education and started working in his teens. On the platform of "Aauto Quicker", Hao Zhongyou claimed to be a chef, but Hao Zhongluo was not sure about his career. "I heard that he worked as a chef and later delivered a courier." Hao Zhongluo told reporters that he and his second brother were estranged. In the registration information of Aauto Quicker, Hao Zhongyou also introduced the natural hot springs in Xunsi Town, his hometown, but relatives and friends said that he had no money to soak in the paid hot springs of Xunsi. Hao Zhongyou never mentioned his educational level.

　　After playing beggar, the number of fans increased.

　　Hao Zhongyou’s cousin analyzed that Hao Zhongyou’s "wife" left him or was related to family poverty. In the video released years ago, Hao Zhongyou mentioned twice that he was "single and asked to take it away". In Hao Zhongluo’s eyes, his younger brother, who is nearly 29 years old, "has not been doing well". As the eldest brother, Hao Zhongluo doesn’t know whether his second brother has a girlfriend in Zhejiang, or even his interpersonal circle at all.

　　Hao Zhongluo noticed that there were more than 90 videos released by his younger brother in Aauto Quicker. At first, they were all singing, and not many people watched them. Later, I always made some boring videos in a park, which was also called unattractive. "A Chinese New Year video was rewarded, which may have encouraged him." Hao Zhongluo said that his younger brother was wearing a prop suit when he jumped into the river. A few days ago, he used to pretend to be a beggar to shoot a video, and the number of fans on his Aauto Quicker account increased. The reporter noticed that on the cover of the "Beggar" video, you can still see Hao Zhongyou’s message "In order to get some powder, today … …” A few words, showing that he shot this video to "powder up".

　　However, at the time of the incident, Hao Zhongyou’s account still had only 386 fans. "Taking risks with your own body may be because you are just getting started and are too eager to be concerned by netizens. As a result, it backfires." Online celebrity, a million-fan in Luzhou, analyzes Hao Zhongyou’s risky behavior.

　　Aauto Quicker responded/

　　This kind of video can’t pass the review.

　　To Hao’s family’s surprise, Hao Zhongyou’s account in Aauto Quicker was "disappeared" shortly after the local media exposed the incident, and more than 90 videos released before were also suspected to have been cleaned up. "When a person dies, his mobile phone and account have passwords. Who can empty his account?"

　　Hao Zhongluo said that in the past, he searched for "Sichuan Mouse" and "Mouse Brother" on the Aauto Quicker platform, and Hao Zhongyou’s account was listed. "I know his head photo and I can find it at a glance to see what he took." The reporter accurately searched according to Hao Zhongyou’s Aauto Quicker account, and did not retrieve Hao Zhongyou’s account.

　　For a long time, Hao Zhongyou did not take the initiative to contact his brother, brother or even any relatives and friends in his hometown. Hao Zhongluo took the initiative to pay attention to his younger brother’s Aauto Quicker account and quietly became a bystander, which became the most unique emotional bond between the two brothers during the Spring Festival. Now that Hao Zhongyou has died suddenly, it is an extravagant hope for my brother to look for memory fragments through his brother’s Aauto Quicker account.

　　It was once suggested that Hao Zhongluo find a platform involved in Aauto Quicker to discuss, but Hao Zhongluo gave up after thinking about it: "We don’t have that ability."

　　On February 19th, Aauto Quicker Platform responded to a reporter’s statement: "The platform has regulations on dangerous behaviors, and (the video shot by Hao Zhongyou) can’t pass the review even if it is uploaded." The platform said, "Short videos are a way for people to record their lives, leisure and entertainment. I hope everyone will treat them rationally, pay attention to safety when recording videos, and don’t take risks in order to gain attention."

　　Lawyer’s statement/

　　The platform must assume the main responsibility.

　　Wang Rengen, a lawyer of Sichuan Mingju (Longquanyi) Law Firm, said that the young man once again warned the performers who were addicted to live broadcasts and short videos at the cost of his life, and should not seek novelty and excitement and engage in dangerous activities. Similar tragedies are no longer two together. No matter how high the attention and reward, it is meaningless in the face of life that may suffer accidents.

　　As a video platform, we must take the main responsibility, strictly prohibit the appearance of thrilling, exciting, vulgar and bloody videos, and strictly resist similar live broadcast activities. Wang Rengen believes that the competent departments such as Netan and Netcom should further strengthen supervision, and severely punish live broadcast platforms and performers who ignore laws and regulations and go their own way according to law. If a crime is constituted, criminal responsibility shall be investigated according to law, and a clean and honest network ecology shall be maintained at all times.

　　Lawyer Guo Gang of Sichuan Fangce Law Firm believes that, first of all, the victim Hao Zhongyou in this case, as a person with full capacity for civil conduct, should bear the main responsibility for his own death; Secondly, Huang Yihu, as a fellow photographer, also has the obligation to pay the utmost attention, help and care, including discouraging Hao Zhongyou from being too careless and paying attention to the safety of the place.

　　Guo Gang believes that short video platforms are mainly responsible for notification deletion and knowing that they are responsible. At the same time, according to the Administrative Measures for Internet Information Services, "Internet information service providers are not allowed to produce, copy, publish or disseminate information containing obscenity, pornography, gambling, violence, etc." and Article 3 of the Administrative Regulations for Internet Live Broadcasting Services requires that "providing Internet live broadcasting services should abide by laws and regulations, adhere to correct orientation, and create a clean and upright atmosphere for the growth of netizens, especially teenagers."

　　Short/comment

　　Don’t let your life become the "landscape" of others.

　　Braving the cold and wearing thin pants and light clothes, Hao Zhongyou filmed the video of jumping into the river just to please his "old irons" and satisfy the fans’ curiosity. After reading Hao Zhongyou’s tragedy, the editor not only felt sad for him, but also thought about the lives of most of us.

　　French scholar guy debord once discussed the so-called landscape society. Landscape, that is, a kind of falsehood divorced from essence, a kind of constructed appearance, and everything can be expressed as a "displayed picture". Many of us are keen to create our own "personal design" in the online social space, which is the most obvious "landscape". When you choose something you obviously don’t like to eat in order to shoot a dish of delicious food, when you make a picture so that you don’t even know your mother in order to make friends, when you try something ugly or even extremely risky in order to shoot a video that looks hot, it’s a pity that you are kidnapped by the "landscape".

　　Back in the news, Hao Zhongyou’s story is the most serious consequence of being kidnapped by Landscape. He was not only addicted to creating "Brother Mouse", but even wanted to make a profit through this "man-made". In the end, online celebrity lost his dream and paid the price of his life.

　　I hope we can all take a warning, get rid of the charm of "landscape" and return to the ground with our feet. There is only one life, and there is no "old iron" or reward, so it is worth risking your life. Seeing this kind of risky video on the video platform in the future, without praise, comment or forwarding, may be the greatest kindness.

　　Luo Min, chief reporter of Chengdu Business Daily-Red Star News, photo report.

　　Science and technology innovation board Journal, September 16th.This week, the important news of investment and financing in the field of hard technology includes: domestic in August.Domain financing is 90-1.1 billion yuan;: The spin-off and listing of Guangzhou Automobile Ai ‘an is progressing as planned; This week’s IPO situation in science and technology innovation board: Fuene Technology terminated its listing and Enos met; Data and AI company Databricks announced that it has raised more than 500 million US dollars.Participate in the vote.

　　""policy

　　The Central Committee of the Communist Party of China and the State Council: Support Gu Lei Petrochemical Industrial Base and Ningde Power.Clusters and other industrial bases and advanced manufacturing clusters with global competitiveness that gather cross-strait resource elements.

　　The Central Committee of the Communist Party of China and the State Council issued opinions on supporting Fujian to explore new ways of cross-strait integration and development and to build a demonstration zone for cross-strait integration and development. The opinion proposes to support qualified areas to build new industrial demonstration bases, strengthen industrial cooperation between Fujian and Taiwan, and improve the resilience and safety level of cross-strait industrial chain supply chains. Strengthen the factor guarantee, and support Gu Lei Petrochemical Industrial Base and Ningde Power Cluster to build industrial bases and advanced manufacturing clusters that gather cross-strait resource elements with global competitiveness. Support Fujian enterprises and enterprises in Fujian and Taiwan to build enterprise cooperation alliances. Support the construction of multi-level cross-strait financial markets, innovate cross-strait social capital cooperation methods, and promote the establishment of cross-strait industrial integration and development.Support the innovation and upgrading of the "Taiwan-funded board" of the Taiwan Strait Equity Exchange Center, strengthen cooperation and docking with the New Third Board, promote more qualified Taiwanese companies to list on the mainland, and encourage more Taiwanese companies to participate in the development of the mainland financial market. Support cross-strait cooperation in fashion and creative industries and jointly cultivate brands with national characteristics.

　　CSRC: We are studying and formulating an action plan for the capital market to serve high-level science and technology for self-reliance.

　　In response to a reporter’s question, the head of the relevant department of the CSRC expressed support for the development of science and technology enterprises. The CSRC further promoted the construction of science and technology innovation board, adhered to the positioning of science and technology innovation board, supported the "hard technology" enterprises in the six major industries that meet the requirements and have key core technologies to become better and stronger through science and technology innovation board, and guided resources to gather in the field of scientific and technological innovation. The CSRC is studying and formulating an action plan for the capital market to serve high-level science and technology for self-reliance, so as to further smooth the virtuous circle of "science and technology-industry-finance".

　　The Ministry of Industry and Information Technology organized the work of unveiling the list of future industrial innovation tasks in 2023 for the meta-universe, human form, brain-computer interface and general purpose.Four key directions

　　Notice of the General Office of the Ministry of Industry and Information Technology on organizing the work of unveiling the list of future industrial innovation tasks in 2023, focusing on innovative tasks such as core foundation, key products, public support and demonstration application, aiming at the four key directions of meta-universe, humanoid, brain-computer interface and general purpose, discovering and cultivating a number of advantageous units with key core technologies and strong innovation capabilities, breaking through a number of landmark technology products, and accelerating the application of new technologies and new products. Enterprises, financial institutions, science and technology service institutions, universities, research institutes and new research and development institutions are encouraged to declare in the form of a consortium, with one lead unit and no more than four joint participants.

　　Ministry of Industry and Information Technology: Forward-looking planning of new technologies and new application spectrum policies such as 6G and mobile phone direct-connected satellites

　　According to Gongxin Weibo, the 2023 China Radio Conference opened in Qingdao, Shandong Province. Zhang Yunming, member of the Party Group and Vice Minister of the Ministry of Industry and Information Technology, attended the opening ceremony and delivered a speech. Zhang Yunming said that it is necessary to strengthen the overall planning and optimization of spectrum resources, and plan forward the spectrum policy of new technologies and new applications such as 6G and mobile phone direct-connected satellites.Development and national public safety spectrum resource base. Demand-oriented, frequency-driven, and innovative development and utilization of spectrum resources as a means to continuously improve the accuracy and sustainability of resource supply and improve the efficiency and benefit of spectrum resources.

　　》》IPO

　　On the first day of listing, Arm closed up 24.69% to become the largest IPO in the world this year.

　　On September 14 th, EST, chip design company Arm was atListed on the Stock Exchange, the stock code is "ARM", and the IPO is priced at $51 per share. On the first day, it closed up 24.69% and its market value reached $65.25 billion, making it the largest IPO in the world during the year.

　　The spin-off and listing of Guangzhou Automobile Ai ‘an is progressing as planned.

　　Hold the second half of 2023.Briefing session. At this performance briefing, the spin-off listing plan of GAC Ai ‘an has become the focus of investors’ general attention.Ceng Qinghong, Chairman of the Board of Directors, responded that the spin-off and listing of GAC Ai ‘an is progressing in an orderly manner as planned. The specific listing time depends on the progress of listing review and the capital market conditions at that time, and the specific progress will be disclosed in due course according to regulatory requirements. He also revealed that the new suv of Haobo, a subsidiary of GAC Ai ‘an, is expected to be released in the fourth quarter of this year.

　　This week’s IPO situation in science and technology innovation board: Fuene Technology terminated its listing and Enos met.

　　""primary market

　　Will form a joint venture with Honeycomb to integrate the research and development of large cylinders.

　　It is reported that a joint venture with Honeycomb Energy, a power battery company, is being prepared to jointly develop large cylindrical batteries. It is reported that the initial plan is to invest in the trial production line with Honeycomb Energy in Maanshan, and some R&D personnel of the two companies will also merge, but the manufacturing and procurement of both parties will remain independent.

　　Heilongjiang set up a guiding fund of 20 billion yuan to help build key industrial clusters and support early science and technology enterprises.

　　The executive meeting of the Heilongjiang Provincial Government deliberated and adopted the Plan for the Establishment of Longjiang Modern Industrial Investment Guidance Fund. The provincial finance will contribute to the establishment of Longjiang Modern Industrial Investment Guidance Fund, with a total scale of 20 billion yuan and the first phase of 7 billion yuan. It will operate through the "mother-child fund" mode, give full play to the leverage of financial funds, fully attract and incite social capital, and help build a modern industrial system in our province. Focus on supporting industrial transformation and upgrading, especially chain owners and head enterprises, help build key industrial clusters, support early science and technology enterprises, and promote the transformation of scientific and technological achievements.

　　Shenzhen Horizon Robot increased its capital to 1.5 billion.

　　Shenzhen Horizon Robot Technology Co., Ltd. has undergone industrial and commercial changes, and its registered capital has increased from RMB 580 million to RMB 1.5 billion, an increase of about 158.62%. The company was established in July 2015, and its legal representative is Yu Kai. Its business scope includes the design, development and sales of computer software and hardware products, engineering and technical research and experimental development, and application., integrated circuit chips and product sales, etc., are wholly owned by Beijing Horizon Robotics Research and Development Co., Ltd.

　　In August, the domestic robot sector raised 90-1.1 billion yuan.

　　according toAccording to statistics, in August, 2023, there were 18 financing incidents in the domestic robot field, including 8 incidents with financing amount of nearly 100 million yuan and over 100 million yuan, and the total financing amount disclosed was between 900 million yuan and 1.1 billion yuan. The financing enterprises are mainly distributed in the fields of medical robots, humanoid robots, service robots and robot core components. Specifically, Qingneng Dechuang, soft robot, Huake Precision, Ruilong Nuofu, Jiaan Intelligent, Azure Technology, Quanyu Industry, and Wood Ant Machine have each completed large-scale financing of nearly 100 million yuan and over 100 million yuan, with a total financing amount exceeding 900 million yuan.

　　Completed a round of financing of 400 million yuan

　　Today, Technology Co., Ltd. (hereinafter referred to as "Electric"), a subsidiary of the Group, announced the completion of 400 million yuan Series A financing, and released a new round of strategic layout, including the signing of the 100 MW energy storage project and the progress of the new R&D system oriented to iron-based flow batteries. This capital increase is made by Huaqiang Capital and Guojun.And cornerstone capital led the investment, Angang Capital, Haiyue Asset Management and Hi-Tech Xinjun followed the investment, holding.withKey intangible assets such as synchronous capital injection.

　　Complete 200 million yuan D round of financing in the whole journey.

　　The whole journey has recently completed the 200 million yuan D round of financing. The financing was exclusively invested by Xinchang Chenghe Recruitment Fund. According to the whole journey, its post-investment valuation has exceeded 2 billion yuan. The whole journey is a family.The electric commercial vehicle technology company has matured and operated a variety of core products suitable for the logistics and transportation industry, such as electric light trucks, electric vans and electric refrigerated trucks.

　　Data and AI company Databricks announced that it has raised more than 500 million US dollars to participate in the investment.

　　On Thursday, local time, Databricks, a developer of Lakehouse and a data and AI company, announced that it had raised more than 500 million US dollars. This round of financing made Databricks’ valuation reach $43 billion, which was $5 billion higher than the company’s valuation after the last round of financing in 2021. This round of financing was led by its existing investors T.Rowe Price Associates, Capital One Ventures, Tiger Global,Wait for more than a dozen investors to participate. The new funds raised by Databricks in this round of financing will make it easier for the company to fund new function development plans in the artificial intelligence market and other fields. In addition, some funds may be used for acquisitions.

　　Silicon ValleyEntrepreneurial enterprise Enfabrica completed $125 million in financing.

　　Dedicated to artificial intelligenceEnfabrica, a Silicon Valley startup with network chips, said recently that it has raised $125 million in venture capital, and NVIDIA joined as a strategic investor.

　　Zhizhan Technology completed hundreds of millions of B round financing.

　　Recently, Zhizhan Technology completed several hundred million yuan of Series B financing. This round of financing was jointly led by Guoxin Fund and Lingang Digital Branch, and Zhang Jianghao, Innovation Investment, Huatai Zijin Follow-up Investment, Qiancheng Capital and other old shareholders continued to add money. Zhizhan Technology focuses onDevice and advanced electric drive system.

　　Hongjing Zhijia completed the B+ round of financing of over 100 million yuan.

　　Hongjing Zhijia announced today that it has completed the B+ round of financing exceeding 100 million yuan. This round of financing was jointly invested by Hefei Industrial Investment, Zhongan Capital and Dianshi Capital, and the old shareholder Saudi Aramco Properity7 continued to make additional investments in this round. It is reported that the financing will be used for the development of the company’s next-generation ADAS advanced assisted driving system and advanced autonomous driving solutions.

　　""secondary market

　　: Investing in Yuhan Optoelectronics to participate in the acquisition of AOI’s assets may be terminated.

　　, the company previously signed a letter of intent with Yuhan Optoelectronics to invest 150 million yuan to 200 million yuan, and obtained no more than 30% equity of Yuhan Optoelectronics to participate in Yuhan Optoelectronics’ investment in the United States.The acquisition of China assets and related businesses by AOI. According to the letter of explanation issued by Yuhan Optoelectronics to the company on September 14, it received a written notice from AOI on September 12 to terminate the SPA agreement signed by both parties for the acquisition. In order to continue the transaction, Yuhan Optoelectronics is communicating with AOI through various channels. There is still some uncertainty about whether the two sides can continue to advance the acquisition case, and there is the possibility of terminating foreign investment.

　　: sign cooperation agreement and invest in 120MW complementary fishing and light project.

　　Announcement: The company and its second-tier subsidiary Yuanda Hechuang, and its third-tier subsidiary Qingdao Xingshengda signed a four-way cooperation agreement with Shirui Energy Technology (Shanghai) Co., Ltd. According to the requirements of the agreement, Qingdao Xingshengda is the holder and implementer of the 120MW fish and light complementary project in Li Ge Town, jiaozhou city, with an investment of 549 million yuan. The company plans to undertake the EPC work of the project with Eleventh Technology as a joint unit, and promises to complete all the construction of the project within the agreed time and realize the full-capacity grid-connected power generation with the designed installed capacity of DC side, and the supporting hydrogen production project has passed the acceptance. After the completion of the project construction and acceptance, Qingdao Xingshengda will divest the supporting hydrogen production project to the company’s subordinate subsidiaries, and Shirui Energy will pass it according to the agreement.Way to complete the 100% equity acquisition of the project.

　　""Other hot spots

　　Industry chain people: the shipments of Huawei Mate 60 Pro and Mate 60 Pro+ have been raised to 20 million units.

　　The reporter learned from people in the industrial chain that the shipments of Huawei Mate 60 Pro and Mate 60 Pro+ have been raised to 20 million units. Earlier, the supply chain reported that Huawei Mate 60 Pro had increased its order to 15 million to 17 million units. A number of Huawei official authorized experience store staff said that booking now will arrive as early as October. It may even take two months to receive the mobile phone.

It is another year of Hainan Island International Film Festival and another year of master class.

The first guest of the master class of the 3rd Hainan Island International Film Festival this time is the famous director Wang Xiaoshuai.

In this game called "Movies are a gaze at time."In the master class, what kind of stories and experiences will the little handsome director share for us?

What kind of "sharp" questions will young directors ask? The answers are all in the following.

■ (Director Bai Xue [Over the Spring]): Dear guests, media friends and audience friends, hello everyone!

Welcome to the master class of the 3rd Hainan Island International Film Festival.

I’m Bai Xue, and I’m glad to have the opportunity to meet you in the beautiful Sanya today.

Since the first Hainan Island International Film Festival, master filmmakers at home and abroad have been invited to share their film creation techniques and uncover the secrets behind the film every year.Exchange stories and experiences with young directors on the scene.

This year is the third year of the master class of Hainan Island International Film Festival. We welcome the film director Wang Xiaoshuai for the first activity of this master class.

Director Wang Xiaoshuai has been in the film for more than 20 years and directedThirteen feature filmsHe has been shortlisted in the main competitions of three major international film festivals in Europe for many times and won many awards.

From the first film in 1993 [Days of Winter and Spring], director Wang Xiaoshuai discovered the secret of the film.

Whether it’s [17-year-old bike] or [I’m 11], until the nearest [Forever].

He combs the time and stares at it in his works.

In the film directed by Xiao Shuai, there is his unique personal life imprint, such as carving and tracing the third-line memory.

By reviewing these memories, he re-wrote the history in which this memory lived.

Next, let’s share a glimpse of the film world directed by Wang Xiaoshuai with a short film.

Next, let’s give the warmest applause to the speaker of today’s master class-Director Wang Xiaoshuai.

Director Shuai said hello to everyone first.

Wang Xiaoshuai:Hello everyone! I didn’t expect so many people to be so grand. I’ll try my best to support me by the edge of the snow and talk to you more.

■: Director Xiao Shuai and I should call you Uncle Shi.

Because my teacher is Mr. Wang Rui, the teacher of the director department of Grade 03, and I am a classmate of your class.

I’m actually very nervous today, but I think it’s more about asking an elder. Let’s ask you questions together.

In fact, your first two films[Days of Winter and Spring]and[Extremely cold]They are all about artists. What prompted you to shoot them at that time?

Wang Xiaoshuai:This topic has been asked since the beginning of filming, and it has been talked many times.

The audience here today are all new audiences or listeners. I don’t know much about them, so I will repeat them a little.

After graduating from the Film Academy in 1989, China was still assigned at that stage.

As soon as you graduate, you will be assigned to a film factory, and then you will slowly practice and work in the film factory.

Then it is possible to direct a film many years later, which is still such a tradition.

So I was assigned after graduation.Fujian Film Studio.

I found that after I arrived in Fujian, the situation was not as good as I expected.

Because at that time, when China films reached that stage, the fifth generation was born.

The path of their growth is from small factories, and factories like Guangxi Factory and Xiying Factory stand out from the encirclement.

Directed their films that have been very classic so far.

So after I arrived in Fujian, I thought it was possible to follow the path they had taken again.

Because Fujian factory is also a small factory, in those days, people who made movies were all targeted and planned economy.

Therefore, the Fujian factory had an index for one year at that time, which meant that the film factory was allowed to make one film a year.

If you get good grades or have a lot of money or something, you may apply for the second part.

Therefore, although I was full of confidence after I went there, I felt that I had learned something from the Film Academy. I was young and had a passion for movies, so I could shoot there.

But it’s still young to think about it now, and the idea is too simple, because although there are not many people in a film studio, it only has one indicator that it cherishes every year.

Then how can it trust a young man who just graduated?

Although the fifth generation had this history at that time, it stayed for a while, followed the internship and made notes.

But later, I still couldn’t do it. I thought it might delay my youth, and then I sneaked back to Beijing alone.

After sneaking back to Beijing, I actually think of it as the first generation of drifting north. I have lived and studied in Beijing for ten years. Once I leave, I will be an outsider.

There is no place for you in such a huge Beijing.

So at that time, I thought there was no reason for me to return to Beijing. It seemed that someone was looking at you with a strange eye. You didn’t go to Fujian, so why did you come back?

In my heart, I felt that I wanted to stay in Beijing as an excuse, as if I didn’t stay here, so what should I do to prove my value, so I went back to thinking about movies.

I had two choices.

One is that I haven’t painted since I graduated from the middle school attached to the Central Academy of Fine Arts, and I can start again.draw picturesPainting was very popular at that time.

But I think what I love most is actuallyfilmSo I thought about going back to the movie.

Only if I have a movie in my hand can I prove an ID card for staying in Beijing.

It’s like Xiao Gui in [17-year-old bicycle] coming to town. I have a bicycle, and I have tools to eat before I can stay here.

How to start this first step? I have nothing, no shelter, no food, no money, just one shoulder.

What I found were our recent classmates who used to be in the Film Academy or friends who started to play in Beijing, as well as the continuous friendship between Liu Xiaodong and Yu Hong when they were in the attached middle school. My eyes can only go here as far as possible.

I have no ability to see farther through these friends.

So just take the nearest person from Liu Xiaodong and Yu Hong.

Just like when we painted, we said to be a model, you are our model, I will paint you, and I will shoot you. This was the most original idea at that time.

Just because they are painters, and then they are close to my life, the life in the middle school attached to the Academy of Fine Arts is vivid, and the first [Days of Winter and Spring] is opened.

Then I wanted to solve many regrets left by the first film, so I opened the second film, Extreme Cold.

At that time, my eyes couldn’t see through it, because the money, strength and surrounding resources were not enough for me to make a movie that seemed to be very formal.

So at that time, I said, OK, let’s do manual workshops like the new wave, and after a little work, we started the second part.

And the second part just heard a real thing that happened in 1994:

A action art killed himself, which had a great influence and spread.

Then, combined with my own mood at that time, I felt very depressed, and combined with my own mood, I made another [extremely cold].

Therefore, it is very coincidental that these two films are related to art, that is, to their own growth experience.

At the same time, it is also related to the farthest distance you can reach.

Then at that time, I thought to myself, when we filmed [the days of winter and spring], we also filmed [the extreme cold].

I often ask myself, some close friends ask me, are we calling it making a movie?

Because many students in our class love movies, they will be very excited to see the studio of this real movie.

There are elevators, lights and cameras. I think this is a movie.

And we doubted ourselves when there was nothing.

Then I also asked myself over and over again at that time, giving myself hints over and over again:

However, we may not have such a large scale, such good equipment, and no professional team to support.

But after all, I pressed the switch with the camera and turned the film, and my subject was trying to interpret my ideas and scripts, so I think this is called.shoot a film.

Just to a different extent.

Then our film is called a film of muttering, which means talking to yourself, asking yourself, and doubting yourself.

Then, at that time, you might think that you are individuals, and that you always take yourself out as if you were talking about something. This is not a movie.

In our traditional cognition, the film director and the author are behind the camera, that is, pointing the camera at the outside and shooting outside, shooting workers, peasants and soldiers, shooting society and shooting these things. This is called a film.

In particular, China’s past tradition is not allowed to take out the heart of a creator.

It means that the first time we met, I thought it was okay.

I couldn’t shoot it, so I turned the camera around to shoot myself and regarded myself as a member of this society.

I am also living, and I am also living.I have my own thoughts, and I have my own difficulties.

Under such circumstances, I began to make my own independent film.

■　After listening to it, I felt that there was something that really touched me.

I believe that every young director has a strong energy in his heart when he makes his first work, and he has to shoot that energy.

I remember reading the story of extreme cold in a magazine when I was in high school.

I actually envy that era. I was in 1984 and I was too young in the 1990 s.

But what we have actually experienced is the stage from university to early 2000 after the reform and opening up.

In fact, the whole society has tended to be stable, and I think China in the 1990s is actually a particularly fascinating period.

Wang Xiaoshuai:Right. We used to have a book calledOur eightiesWhat Acheng recalled, it evoked feelings including my own.

I think these people born in the middle or early sixties are really lucky, rare and lucky.

When our youth just began to grow, China just entered the stage of reform and opening up.

When I was young and ignorant, when my values and outlook on life began to have a little idea, I just experienced the whole decade of the 1980 s.

Nowadays, many people in that era recall the decade of the 1980s with emotion.

It is said that this may be the best golden decade in China.

In this decade, some of our elders are more mature and older than us. Some people have entered the society, are already exporting their things, and are already creating their own things.

And we are actually following behind, so we are not lucky not to be left behind by this decade.

And this decade is the past. The whole education in China came from Eastern Europe, Europe and the former Soviet Union.

In that decade, the information and ideology of Europe, Western Europe or the United States began to come in, breaking the simple dualistic ideology of Eastern Europe and the former Soviet Union at that time.

Therefore, the ten years when we were studying happened to be in contact with both sides, making ourselves look at the world like a child who just opened his eyes.

Everything broke out at that moment, so we experienced this.

After we graduated, we entered the nineties, and as you said, it tended to be flat.

However, the gap is still relatively slow, and all the enthusiasm in the 1980s, all the thoughts at that time, and all the very free and unrestrained passions at that time are still there.

Bit by bit, it has been flowing until the end of the 1990s, just in time for myself to start filming in the early 1990s.

So those things that were saved in my mind, those impulses in adolescence, those so-called self-thoughts and anger all broke out at that time.

At the same time, catching up with the society really allows all this to happen and express. I am very lucky to have experienced these two times myself.

■　: Maybe the creators who grew up in different times actually influenced you by the times.

You are also influencing some young people behind you through your works.

There is a very important period in your works.Third-line construction.

I believe that I may be a little strange to post-90 s or post-00 s or even me now.

I’m also going to look at some background information before [Green Red] today.

I’d like to hear from you what has shaped you in this growing process.

What do you want to share about this growing experience?

Wang Xiaoshuai:All people who have experienced the third line, regardless of the first generation, the second generation and the third generation, have a common emotional cohesion.

Just think we arethree linesWhen it comes to third-line people, many big structures come out.

For example, the biggest confusion of third-line people is the loss of their sense of hometown.

They left their hometown and parachuted to a place. They probably thought they could go back in a few years, but they didn’t expect to go back all their lives. The next generation was there, and so was the next generation.

In this case, the third-line person has a special emotional password.

This emotional code is linked to each other, and everyone knows about that history from food and living habits.

However, this emotional password basically exists only in the third-line people, and others don’t understand what the third-line people say to others.

Even in Guizhou, when you leave our factory and go to Guizhou, they will feel "They are those people.",after a long time even they feel very poor, only exists in this folk saying.

But when I was growing up, my parents were also third-line, and I also experienced this confusion.

I don’t know where I come from or where I belong.

In this process, I gradually became unconvinced.

That is to say, many third-line people don’t say that they have had such an experience since they began to go out slowly in the mid-1980 s, because they feel that this experience is not good for their future development.

There is also the whole information and the national level, because we all know the educated youth, the Great Northern Wilderness and the Xinjiang Corps, and we all know the big plates that have changed since the founding of the People’s Republic of China in China.

But only the third line, because it is a military enterprise, was confidential at that time.

Many of our factories have no names but code names, so a large number of tens of millions of people are not mentioned there.

So when I came out, I had a feeling in my hearta burning desire.

I want to tell others that we are from that place, that we came from there, and that so many people are still there now, and they are still experiencing a very, very special life that others don’t understand, and even after others know it, it will be incredible.

I want to express it, so this is after I was lucky enough to be a director, picked up the camera and made these movies.

In fact, deep down in my heart, I said that one day I must put something about the third line in the movie.

During the period, it has been repeated many times, and it has failed to go, and it has failed many times.

Until 2003, at that time, it was actually ten years since I first made a movie.

At that time, our top management said that China’s films were changed from a business unit to an enterprise, and then they were connected to the market and made films with things from the market.

At that time, it seemed to give me a turning point. Now you can make movies and embrace the market and this reform.

I think since I have this premise, I will do it, so I will take out the ideas and scripts that I have accumulated for many years.

At that time, [Green Red] was originally called [Good Wish], and I came based on Augustus’ feature Bergman [Best Wish] (often translated as [Good Betrayal]).

I said that this is actually what I expected so many people to go for the whole third-line branch. I really hope to give them a blessing and give them a really good wish.

I shot it at that time.

Moreover, it was very difficult at that time. I went to Guiyang several times, and I saw that the surrounding area was changing. All the buildings were rising, the roads were under construction, and all the factories were changing. I was very anxious.

At that time, China films didn’t have a good industrial system and good technical support as they do now. At that time, they didn’t.

I think if I don’t shoot it again, I won’t be able to shoot it at all, and it will be completely erased from my life, memory and the earth.

So I gritted my teeth,I find that I bite my teeth every time I make a movie, and I’m so stupid that I want to make it happen.

■: Movies have a very special function, which can record the characteristics of an era.

I think among many films, the narrative films at that time actually solidified that era.

Do you think that in your personal memory and the memory of the public, what you just said, for example, the third-line construction may be a relatively unexpanded memory.

How do you think you can find the point to communicate with the public in this process?

Wang Xiaoshuai:This is also my repeated question in making movies, and it is often mentioned.

You have to find the common ground, empathy and so on. I think it is the most basic bottom line for the success of the film, but I think sometimes you can’t find it, or it is very special.

I think of it as aSpecial filmShoot.

Movies like the third line were made at the beginning, including now. When you mention it, you will also question why you are always working on the third line. There will not be many people watching it.

I can only ignore this matter, I can only say that this matter is what I want to say, this history and this reality is what I want to express, and I have to say it.

Because I watched my parents go from a young man in his late twenties to a strange place.

I’ve been there all my life, putting my youth there, and then throwing my major aside, so I’ll live forever.

So I think people like my parents are everywhere. Our neighbors and classmates’ parents were all senior intellectuals at that time.

If they stay in places like Shanghai and Beijing, they may be able to play a better technological advantage, but after they get there, it will be very beneficial to the western region and their construction.

But it has a certain influence on their personal growth and the display of their talents, so I watched them grow old.

Now many people have died, and they are buried in the local area.

Therefore, I feel that I can’t live without such a period of history.

At that time, I also looked around. Among the tens of millions of third-line people, if I was a director, I was the only one.

If I don’t talk about it, there is no way to talk about it. Besides, I just said three. Why did I say three? Because it was not a phased thing at that time.

There are stages of educated youth. Of course, many of them have stayed in the local area, married and have children, but some of them have returned to the city after a stage.

Third-line people are not phased, they are continuous, and the first generation, the second generation and the third generation are so continuous.

Don’t say three movies, I can continue if it is possible now.

Because our generation has become fathers and their children are growing up, when I went to communicate with them, I found that filming them is also a completely new understanding of the third line.

Now you ask him where you are from, and 100% of these grandchildren who are teenagers now look at you with their eyes fixed on you.

After you asked this question in the past, he couldn’t answer it at all. His eyes were looking for his parents and his grandparents to confirm how to answer this question. I will do it again when I have the chance.

■　I find this particularly interesting.

Because I was also a very small social group when I spent the Spring Festival, that is, cross-border schoolchildren.

When I ask them where they are from, their eyes will indeed dodge. I think every individual is branded with an era.

So I think in this issue, it is both personal and contemporary.

So maybe the characters you wrote lived in the background of that era.

So he will definitely bring out the whole big thing.

Talk about your recent new works.[Forever and ever]This work is actually a very time span, a span of thirty years.

It is said to be the first part of your homeland trilogy. How do you define homeland in this movie?

Wang Xiaoshuai:After the third line was finished, the biggest problem was in front of me.

I’m going down. Yes.How to createBecause I can keep an impulse to make a movie when I was at the beginning, when I was the youngest, or I will make a movie with impulsive and exciting themes.

I can cut in from any level of this society.

But slowly with the passage of time, my age grew up little by little.

After everything and seeing everything, I think I may still need to put my eyes down.

I still want to have a chance to talk about the history beyond the third line and all that we China people and ordinary China people have experienced now.

Otherwise, I may not be so young at a certain level in a certain section, and my eyes can be set farther, unlike at first I can only see my close relatives and friends.

Now I can see farther and think farther, so I decided to do the next trilogy.

Of course, call.Home trilogyThe words are also about the concepts of China people, our hometown, our land and our identity.

These are the experiences of ordinary people in China.

Maybe young people don’t know much about it now, but from the forties, fifties and sixties, these people grew up in this way, and everyone bears the brand of the times.

■: Including me, I am equal to my parents who came to Shenzhen in the early 1990s.

So when I arrived in Shenzhen at the age of six, I was a little skeptical when I asked where I was from.

Wang Xiaoshuai:I don’t agree with them when they say home country. I don’t have so many feelings about home country. I just said that I still focus on our ordinary family.

Because I think that individuals form a family, and the family will eventually become a country, which is the most basic cell and element.

So I focused on them.

Although it seems to be described as a big history and epic by others, in fact, it still doesn’t leave me the earliest. I am staring at a few people and a group of people to express it like this.

Moreover, this expression is really going to break away from the third line. Although I still run a factory, I didn’t emphasize that it is the third line.

Because I know what I saw, in fact, many, many similar things happened in China besides the Third Line.

For example, our steel works in Baotou and Shanghai Steel Works in Wuhan, in fact, there are many people supporting the whole country, and they also left their hometown to live in a new place.

This kind of environment was magnified by me and I continued to pay attention to it.

About [Forever], the main thing is the loss of children or family planning. If we only talk about it for a while, in fact, there are such movies in China.

Those who have lost their independence and are looking for children, but I don’t think this is enough. It may not be enough for me to make such a thing again.

I need to enlarge it. I have ambition. I want to enlarge it to the historical background of China until now to see how ordinary China people have survived and how they have survived.

This ambition has promoted this[Forever and ever].

In 2015, I heard a news. I was fine in my room that day. I don’t know where a news voice came from, saying that family planning had stopped. Now I can have two children and three children, and it’s over.

It seems that such a simple news has not stirred up any waves in the society, and there is no response.

But I was stupid in my room at that time. Can this thing be changed? Can it be changed?

We have been used to it for decades, and suddenly it changed. At that time, I was reminded that this matter should be mentioned.

■: I am very much looking forward to the second part of your home works.

Many of you here today are young creators, and I believe that one of you will want to know more about your creative path.

At the very beginning of your creation, of course, sometimes you may start from your personal experience.

But maybe slowly you will change from the first person to the third person to see the world.

I really want to know the origin of your creative process, and sometimes what motivates you to move forward.

Wang Xiaoshuai:From a conceptual point of view, I always feel that we should keep a particularly sensitive, fragile and soft heart, because only in this way can you feel all the changes that have taken place in this society.

If you are tough, if you do something, and you don’t care and think about anything, you may miss something that touches you or touches you.

So I think to make such a movie, we must first have a very soft heart to touch and feel, feel those anger, thank those unfairness, and thank these ordinary people for their helpless or very helpless eyes.

These things will touch you, and then you can find out how to get close to them, how to cut in from their point of view, and think about this problem.

In addition to these basic things, you have to pay attention to reality, that is to say, you are aware of everything that happens in this reality.

Originally, we relied on newspapers and TV, and now we even rely on Tik Tok or even some short videos or some friends to spread.

These things will remind you, and they will find you a possible exact point to go in. Maybe you have a big direction, and you have to find the exact point of the story, just like I did [Forever].

I was stupid when I heard the news. It was a flash. Without this news point, you might have lost your feelings about China people’s policy from the late 1970s to the 1980s, and our lifestyle was like fish in water.

I feel that everything is normal, and when it comes to an abrupt end, you find that it is a thing, which may touch your anger, thinking, reflection and creative impulse.

■: I think that in many cases, especially after you have experienced China movies, there are actually several specific different stages.

Then your work is equivalent to actually expressing concern for individuals, especially now, after all, movies have a commercial attribute.

Do you think you will sometimes think about how to balance it, or do you think this problem need not be considered from this angle?

Wang Xiaoshuai:This kind of thing is also asked the most, and many people who are engaged in this film will also think a lot.

However, I think this aspect of the problem should actually be considered by switching the angle of the point of thinking to it.

It is not unified.

For example, from the perspective of creation, you create this type of film or a little bit of film that you think is a little thoughtful or a little personal. In fact, you do it from this perspective.

Then you don’t need to make it think about the question you just asked.

If I really think about this issue from the perspective of a film industry, then it must take into account the industrial side of the film, the market side of the film, including the actors.

After I play this role, he will also think about what role I want to change next, and everyone will solve the problem from everyone’s point of view.

And I don’t think it is necessary to put the balance on the director. For example, if a director is very successful in business, I think he should be congratulated. He has something very sensitive to do this.

Some people may not be successful at the box office, but they express themselves well, so they should continue. This is why I think we should face the problem of film diversity together.

So it is difficult for me to answer this question when asked.

That is to say, do I have a little industrial background, or do I have a little film foundation? I believe so.

But I have more interests and more energy to focus on the things I just paid attention to. I can’t waste my time and energy.

From my point of view, when making such a movie, I have been asking myself, just like when I made my first movie, whether it is worth it, whether it needs to exist, which is what I have been asking.

But after this process, I have accumulated such a confidence bit by bit, that is, it must be needed, and such a film must not disappear in China’s film version.

Besides, I think it will definitely turn over in the end, so I am enjoying the process of making such a movie, and I see that it will be taken seriously in the future.

Because a cultural level, an artistic level, or a national level, its culture is valued and the degree to which art is valued.

If it has been in a very low situation, it is actually not good for the whole nation, so if you take a long-term view of it, it will definitely turn over in the future. This is my confidence.

■　I have a feeling that when [Spring Festival] was shown at Osaka Film Festival, many people in the audience were unexpected. I didn’t expect that there were many white-haired old ladies and gentlemen.

I had a feeling at that time that the audience needed to be cultivated.

In fact, as creators, it is actually to lead the audience to a more connotative content level and have a more aesthetic audio-visual feeling through our works.

I think I was particularly happy when you said that just now. I think now, in fact, more and more young directors are still making many excellent films of different types.

I think it is a very lucky thing for the audience and a very happy thing for the creator.

Wang Xiaoshuai:When we look at it carefully, it seems that the big block is rich and good, but in fact there are many meaningful things under it that have never been broken, passed down and done.

The portrait hereDirector Liang MingIn fact, I have been doing it all the time, including your movies. These things have been passed down and have always been the most important thing.

Moreover, when it is exported, it is actually the most vital output, not organized, but naturally received by others.

One more thing, you feel that some of our films have been seen by others in some foreign film festivals or screens.

I think one thing is also true. This kind of movie may not be as popular as we thought. Why is it seen by others? Besides, young people are not necessarily very young. It’s a joke.

Their life is too lonely. On the other hand, there is such an activity when they come to the cinema. It is a great comfort for them to get together in the cinema.

He can’t have other entertainment activities, so the film is preserved and needed.

This is also the fundamental reason why I think everyone is missing the cinema and calling for actually going to the cinema to watch movies.

People in China may have too many recreational activities, and he thinks it doesn’t matter a bit, but they are lonely in Europe and America, so cinemas will be taken seriously.

Of course, I don’t want people in China to be so lonely and lonely, but on the other hand, if there is no cinema one day and these things disappear too quickly.

When you need all this, it’s a pity that it disappears.

In fact, giving it a space for each of us, each ticket and each movie is actually protecting it, and it is a process that urges us not to be too lonely in the future.

■ : that’s very good. I think in the present era, when I look back at some of your works.

When I looked at Green Red again today, I suddenly felt that that era seemed to be particularly far away from me.

Because we have changed so fast in the past twenty years.

What do you think is the most influential factor for you in these twenty years?

Or do you think that in fact, no matter what changes in technology in this era, it doesn’t have much impact on you?

Wang Xiaoshuai:I am trying to slow myself down by this.

I know everyone in society is chasing after me now.timestillChasechangeHowever, I am a person who is particularly afraid that the old things will be gone after the change is over, and I am quite conservative.

It’s a pity. Can these things stay? Don’t change too fast.

Now, when China people were able to go abroad in the 1980s, we looked up and saw that others were fresh. After several decades, if you go out again, you will laugh at others’ backwardness.

But don’t forget that people were already very advanced at that time. You entered the Grand View Garden with Granny Liu. Now we are laughing at others because of the rapid change. In fact, I think we should be on the contrary, and we should be wary of this rapid development.

In fact, I don’t know whether it is really beneficial to each of us, because I belong to the middle generation now.

These fast things like mobile phones come in every day, and I’m always afraid that the people before boarding the plane will tell me to scan the health code, and I’ll be finished. I said if I can’t sweep this out, I’ll be finished, and then I’ll go into the hotel to sweep this and that.

A lot of assistants helped me with it, which has collapsed for me.

Then others can imagine, because we saw an old lady in her nineties on the Internet who had to pay medical insurance by credit card instead of cash.

We must think about the whole country. We are proudly developing, but it is really cruel to cut off the tradition.

I really, really don’t like to cut off all the transitions cruelly and make all the space disappear.

I have an antipathy. Sometimes I go out to buy things, and I am very shy for a while.

I dare not look people in the eye. I asked if I could give cash. I think it’s a shame that I take out cash to buy cigarettes or alcohol now.

People are brushing the QR code and it will pass, but I just bite my teeth and think, even if I am laughed at by others, I want cash.

That is, I have become that kind of person, and I always want to slow everything down. Now I am thinking about the slow life, and I am slowly putting this psychology behind me.

After I got there, I laughed at myself and boldly said that I would give you cash. The old man still has cash for you. I am also overcoming my psychology in this process.

In fact, it is possible that all this will be brought into your own works in future film creation, which is also a kind of thinking and a kind of thinking about the modernization process.

Moderator: As a director, people often ask what is the most important thing as a director.

I personally think that how to look at the world may be the director’s longest personal practice.

Do you think the theme is important in so many creative processes?

This is actually a relatively strong confusion of mine recently. You just mentioned that when creating the original origin of a thing, many of them are actually very emotional.

Even force yourself to capture it with very emotional things, but you may immediately enter a technical link.

How to put emotional things on someone with movie skills to tell this feeling.

At this time, I am personally confused, and sometimes I am not sure what the theme is.

But when this thing doesn’t exist, when it can’t be said.

It seems that it is difficult to communicate this thing with collaborators, such as writers and others.

So what do you think of the theme as a director?

Wang Xiaoshuai:When we were training since childhood, the theme was repeatedly emphasized in writing and composition.

And I was really confused by this in the whole process.

I will never get high marks if my composition is written by the teacher or not.

And the theme is very clear and vivid, and the teacher will get high marks, so I am also very confused.

But my feeling is that this theme is a Chinese theme.

I think this theme can be translated into your attitude. You are facing a thing, a person and a story, or what kind of attitude and angle do you enter this thing you want to express?

For example, the same thing, which now needs to tackle poverty, may be entered from the perspective of propaganda, so what is its theme to look at this problem.

Similarly, such a rural area needs to get rid of poverty. If you enter from the perspective of an ordinary person, or the director enters from another oblique angle, your angle and attitude are more important than this theme.

Because you have an angle and this attitude, what you want to show will naturally appear.

Therefore, the theme is a relatively vague concept. In fact, I have never set a theme first in the process of creation, never.

The [winter and spring days] is a despair, confusion and loss, which seems very gloomy, that’s all.

There is no theme, but after this angle comes in, everyone will interpret it. In fact, there are no movies in the back, including "Forever".

I just write with my head closed, so does May. After we finish writing, we will see if everything is necessary and correct.

We put it together, because our angle is there, and it naturally presents itself. I won’t go ahead with the theme.

■　I am so happy that I can finally put down the stone in my heart.

I think when the film is made, there are many things that the audience themselves have their own experiences to say.

If the theme is unique, there is no need to present it in movies.

Thank you very much for sharing.

Today, there are still four young directors under the stage. Let’s invite them to come on stage and talk with you about the creative confusion.

They are the director of [that roaring youth], director Han Tian;

Director of [Hannan Summer] directed by Han Shuai;

The director of [Landing Life] respectfully directs;

Director Liang Ming of [Under the Sun], let’s give a round of applause to the directors.

Liang Ming:You talked very well just now. I have accumulated some questions I want to ask the director below.

Director Bai Xue has asked everything, especially the theme, and I am particularly confused.

I want to listen to director Xiao Shuai to share your memories of the first time you went to the film festival.

What did you feel when you first went to the film festival?

Wang Xiaoshuai:There are too many stories.

Now our team is growing stronger and stronger. At that time, no one really came. The first premiere of [Days of Winter and Spring] was in Vancouver.

I was very excited when they asked me to go, but I couldn’t get my passport because I had to go back to Fujian to get it.

Getting a passport in Fujian is the most difficult place in China. I couldn’t do it, so I missed it.

They feel very sorry.

At the Los Angeles Film Festival, they thought they had found a fresh air, so they came to Beijing to meet us, but I couldn’t tell them.

He said that it seems that there are still a few months to go to the Los Angeles Film Festival. We will find a way for you, send you an invitation letter for relatives, finally get a passport, and then go.

I had a bad image when I went abroad for the first time. I got angry at that time, so I took the wrong medicine in a hurry. I took a sulfanilamide medicine, and my body was intolerant of sulfanilamide.

I don’t know if it’s dangerous. If I put it down, my whole mouth will swell into a monster, like a pig, and my blisters will crumble, so I’ll get there.

I was in a terrible mood at that time. I went to meet the audience for the first time, and my hair was long and there was no money.

Because we went to the film festival at that time, there was an advantage. People would give us money. People from China would give you a meal ticket of several euros, and the bus would give you some money.

Each of us will get a little money, and this money will live there. In this case, I went to the Los Angeles Film Festival. Now that I think about it, I want to find a guy who is particularly ugly.

Liang Ming: Thank you, director!

Jingran: You just mentioned that many works of each creator are actually related to personal experience, and movies are also for empathy.

Your film festival has gone so far, and you have gone to film festivals in different countries. Does regionality have an impact on empathy?

Wang Xiaoshuai:Just like you, when you go to the film festival, you will always meet your movies that you particularly like.

You will always meet that person who meets your eyes, ignores you and walks away, which means he may be just so-so.

I often meet you. It’s better to like your movies.

I think there will be a little bit of cultural difference between all regions.

For example, when I went to the Japanese film festival, I found that they were actually more enthusiastic than those in Europe and America. This is very strange. Everyone looks the same and has the feeling of an Asian cultural circle.

Then when you get to northern Europe, you may be almost there. People don’t have the habit of talking to you with great enthusiasm.

When you come to Spain or Italy, you will feel that many people like your movies. They seem to be very enthusiastic, and you feel very strange.

They find out whether they like it or not. I analyze that they are sometimes too lonely, and they are very excited when they go to the cinema to see foreign movies.

■　I remember when my film was shown in Toronto, people were laughing all the time.

It seems that those places are not laughing places, but they are all laughing, and the laughter is different.

Wang Xiaoshuai:Cultural differences.

■　The audience’s mentality seems to be particularly relaxed, and when our country directs, it will feel that I am looking at something.

I can’t show too much emotion when I come to see you. I think they are particularly relaxed when they watch movies.

Wang Xiaoshuai:When you just came out, it was the best time. They were all good and liked everything.

Now if I want to put it out, I’m nervous.

Because there is less possibility of being forgiven, his critical eyes are more critical.

I joked that when I won the prize, the original films would win the film festival prize, and the young people who felt very good would give an award.

If you shoot a few more films, people will start to look at you. You have already shot five or six films, so it will be difficult.

So young changes also matter.

So I’m under the most pressure now. My knowledge of movies is the same.

When I went to the film festival, it suddenly dawned on me. When I was in Cannes, it suddenly dawned on me that movies were so lofty and sacred.

Then I regretted it. I finished when they let you go in the red carpet. In the process, this one was not filmed well, that one was not completed, and that one was almost strong. I just regretted it.

Such a big screen, all dressed in evening dresses, these people are old gentlemen or professionals sitting there. You are one of the 20 films in the world. Let me see what you made.

At that time, I knew that movies should never be joking, and we were often scolded.

If you experience these things with real awe and seriousness, you can stand up, or you will lose people.

Han Shuai: As it happens, the hero of my debut novel is the little kid who plays Du Jiang in Forever, and first hero in this play.

When he first met me, he said I thought I would be elected, because the second director I collaborated with should also be Xiao Shuai.

He is a very clever child.

Actually, I want to ask, you have made many movies related to teenagers and directed many young actors.

I wonder if you have a unique way in directing young actors.

Especially when they can’t perform according to our established wishes, what will you do at this time?

Wang Xiaoshuai:Now that I recall all the processes, I will never seriously tell them about the drama.

As long as you squat down and talk to him, he listens carefully. When he ponders, how can he know what that means? It’s impossible.

So I have to play with them, because the performances that children can output are not given by adult professional actors, which is too natural.

As long as you let them play and relax, they can always achieve what you catch. Don’t be serious.

Often, when the assistant director at the scene is in a hurry to talk to them seriously, I quickly say never say anything, so we will accompany them and give them time.

You talk too much, I don’t even know what you’re talking about. He’s suddenly acting like that, which is scary, so just give him time, young child.

Han Tian: This is a question that I have been thinking about recently. Before I came to the forum, I saw [See Nara] directed by Pengfei. I liked it very much and it touched me a lot.

There may be a problem for our young directors, that is to say, when you go to a wider world from your particularly limited personal experience, when you want to make that effort, it seems that sometimes you feel a little uncertain or have no grasp.

Because before the films directed by Xiao Shuai, such as the earliest [winter and spring days] and [extreme cold] are the stories of people around you.

When I arrived at [the girl with the shoulder pole], I suddenly discovered a bigger world, and then I went back to my previous experience, the third-line story.

It’s such a broad expression of China’s contemporary history again. I don’t know if you ever felt that kind of confusion or how to overcome it when you went from your own experience to the bigger world at those stages.

Wang Xiaoshuai:I have asked myself about this matter, and my own answer to myself is that everything goes with the flow.

Your age, your experience to what extent, you were interested in it at that time, there is no problem.

You suddenly see that another director or another place in the world has come up with a very powerful thing. It’s no use worrying again, just be yourself.

Because I think time is the most important thing, and time is too powerful.

When you are filming, if you are in your twenties and thirties, it is unrealistic for you to think beyond a person of fifty.

So I think I should put myself in every process of my life, even if it is small.

Because there are many large-scale films that have achieved good results, but there are many trivial small films that are also very powerful. They are also very impactful and moving forward.

soDo what in what time period?.

For example, when you are 40 years old, it is true that when you look back at yourself or face a 30-year-old person, there are many things that cannot be communicated in words.

Only when you are forty years old will you suddenly care about that thing.

So we make our movie, and this movie is very happy, and we will minimize our pressure.

Of course, we have the responsibility, but you can be grateful for the pressure in that area.

There is no pressure on your next film, so that you can put yourself into real and pure creation and move up bit by bit until you are 50 years old.

For example, when I was forty years old, I didn’t dare to do [Forever]. At that time, I didn’t have that opportunity, and the society didn’t change to that time.

But just then, it was possible to deconstruct the film according to your 50-year-old view of the world, otherwise you couldn’t do that.

So time is a really, really good thing.

Han Tian: Thank you!

■　I remember asking the teacher a particularly stupid question when I graduated from college.

Teacher, how can I have life experience, because I felt at that time why all the stories I thought were so stupid.

But I was particularly anxious to have life experience. I didn’t know how ridiculous that sentence was until I finished writing this story and filmed it, including after I got married and gave birth to a child myself.

Then I think that every creator will have a group of like-minded creators.

In this process, in fact, everyone’s life experience is growing up with this work.

So I especially want to know about your time with the main creative, especially the director and some important partners.

What kind of way did you work with them and when you might choose some collaborators at first?

What kind of criteria do you use? I think this may also be of great help to young directors.

Is how to choose people, how to choose partners.

Wang Xiaoshuai:Many of my film collaborators, for example, most of our photographers are calledDi WuHe didn’t graduate from the Film Academy. He just made a few films for further study, which was also caused by the special environment and conditions I mentioned just now.

I wanted to make a movie at that time, and I said no, I was in a hotel, and I changed hotels every day at that time.

I’ll sneak in when a bed is empty in the film crew, and I’ll sneak out when people leave in the morning.

There is a bunk in the group bed, which costs ten yuan. I’ll buy a bunk to sleep in.

I fought guerrilla warfare like this every day in Beijing, and then I thought I couldn’t go on like this, and everyone would laugh at me.

Then I said that when I was filming, I called my old classmates and friends, and people thought I was crazy. What did you shoot?

I don’t know, it doesn’t matter if I don’t know, so we’ll shoot.

Then say how much money there is, and I say no, not a penny, then you are joking.

I said how much does it cost to make a movie now? Some people say that at least 800,000 yuan, that 800,000 yuan was the standard film cost of the film factory at that time. I said it was impossible.

Another one, it’s still the same. Whoever promised me absurdly is cooperating with me.

I can’t, because I don’t have the conditions,Director Liu Jie.That’s the man at that time.

I can’t find one, and I can’t find one. He came that year, and one person became two, and he began to move forward.

We didn’t have the conditions to choose people at that time.Actors like Liu Xiaodong and Yu Hong.Shoot what? I want to help you.

Because if you care about making movies, you can throw a few blocks away from us, and we will become people of different classes, and we will not be friends.

So encourage me to shoot quickly, otherwise these friends will not be able to be.

Introduce that this is the director, this is the painter, and this is from the Fujian factory. After all, it is a particularly primitive impulse to do this.

If the shooting at that time [the day of winter and spring] was incredible, I will tell you two nights.

It’s incredible that there are too many things. We don’t have much time to talk about this occasion.

Liang Ming: Director Xiao Shuai’s [Forever] photography director was from South Korea. He filmed [Crying], and later it was also done by an editor in Thailand. What opportunity made you think of cooperating with them?

Wang Xiaoshuai:This question is very good, if it is very straightforward, it is also because of change.

I want to change it. The original one is too familiar. I want to change it a little. When I changed it, I found that I really couldn’t find it because everyone was busy.

Everyone who knows the name is very busy.

There was a photographer whose name I won’t mention. It was very good, so I went to him and made a decision. As a result, when we were about to set up a group, we suddenly called and said we couldn’t go. There was another film.

At this time, as soon as we discuss with the producer and stamp our feet, we will let our eyes go out and look abroad.

So we have looked for a lot abroad, and in fact we have already taken this step.

This is also the case with editors. I am too busy to give you a complete cut of your film, but I need a time.

I don’t want to cut it in a few days before we discuss it. I need a long process.

So we also found a lot of people, and then we found this editor, who was also very interested.

They have a great advantage, such as KIM coming here early after taking this job, he wants to see the scenery with you, he wants to discuss it with you, and he wants to figure out how to shoot it with you.

Generally, a photographer may have to come one week in advance, and he will come two months in advance, so he will spend all his time here, and so will the editor. He has decided to put aside all his work and do all this.

This is an experience that we have lost for a long time. Everyone is very busy, and there are many cases where one person leads an assistant. They also completely return to the most memorable creative way of the film, so it is also very interesting.

moreverMayShe is our screenwriter.

I don’t know what your future will be like. If it’s the same as before, I know that after this thing comes, I will do it in an all-round way, and there won’t be several books and tasks to write there. This is a very lucky point for us.

It shows that as long as we do this, it will actually ignite the inner fire of these people, and so will the actors.

After Yongmei came, she volunteered to experience life and learn to weave fishing nets at the seaside. She said that I didn’t catch all the plays here.

After Jingchun came here, everything was blocked, and I wouldn’t leave the film crew just because I wanted to have an activity. Our film crew didn’t leave, and we stayed there with or without a play.

Even other actors, obviously there is no play for a week, they will not leave, they will be on the scene and will not leave.

In this case, it is actually very rare. In such an impetuous environment, there are still such a group of people who can stay together and return to the most primitive way of making movies. This is a very lucky point.

Liang Ming: Is it expensive to communicate with Korean photographers?

Wang Xiaoshuai:The cost of communication is also a little bit. KIM is very funny. When asked if he can speak English, he said yes.

As a result, after we made a video, we found that I couldn’t understand a word of English he said. He knew a lot of words, but his Korean pronunciation was completely incomprehensible.

I found that he didn’t know much about what I said, so we were looking for a translator, and the translator we were looking for was very strict.

First of all, he should like this translation, then he should like to listen to what this translation says, and it is difficult to find such a person at last.

Then I chatted every day, but in fact, at the end of the day, in the previous preparatory process, it had nothing to do with the language.

It’s already a physical action, a feeling.

Then, after he caught this, I was very surprised at the scene. I clearly said that I would shoot like this, and his team put the machine there according to his method, and the small rocker arm got up.

I said what I wanted it for, and he ignored me, so he did. At the beginning, I said yes, let him play first, because he has been here for several months.

He suddenly came up with such enthusiasm that if you don’t follow his lead, there will be a gap in his heart, so he did it until he gave up.

Because he had to put that thing back and forth in a small space every time, I waited for him to do so and finally surrendered.

That is to say, light, very little light, don’t hit the light, he patted his chest.

As a result, he was lighting up all the time after filming, so I turned it off for him. I couldn’t talk and then turned it off.

All you have to do is turn it off. It’s fun.

In fact, sometimes in the whole communication process, a director doesn’t tell a lot, but this venue is here.

Everyone knows what happened to this matter.

At their age, such as Jing Chun and Yongmei, his common sense is there for our story, so he can do it.

Like the last grave-sweeping scene, I don’t know how to do it. It’s not that I don’t know how to do it. I can’t tell them how to do it.

I said that the machine was here, and he didn’t even know that we had built a grave in front of us. Then he put up a sign and said, Look for it, nothing, just sweep the grave without saying a word.

Everyone has experienced it, everyone knows what you are going to say, and I have no special requirements. In the end, they cried so hard that they didn’t stop.

Finally, he rushed over and said that the actor stopped asking directly in front of the machine and stopped.

If you have a scene, don’t destroy it, and don’t over-press the director’s intention, theme or anything.

Instead, you quit and let this gas field make this air automatically generate more vivid.

Han Tian: Do you have a lot of improvisation elements in the movie or are they all designed?

Wang Xiaoshuai:I feel more and more like doing scripts.sturdy.

When I was young, I didn’t have a script and had half of it. Later, I felt that the script was not important, because it was really a workshop at that time.

You can improvise, everyone has short time and short films, but I find it more and more.

At this time in Cannes, when the big screen in Venice comes out, you can’t improvise.

There are few Wong Kar-wai in the world. I said I can’t do it. I have to do the script well. This is my experience.

Because this is a foundation for confidence, with the script, you can dispatch at random when you arrive at the scene, and you can judge according to that space.

Because I once said,How a director feels at first.It’s very important, it’s very important for life, for yourself, for your heart and for your feelings about the world.

After that, it is.selectYou have to choose what to do, what direction you have to choose, and when all this happens, you have to judge yourself.

For example, your judgment is very important when the actors are finished or the script is written to this extent, or when you are at the scene and many people ask you how you are.

That’s when I found that the director had a strong sense,Director’s judgmentIt’s very accurate, but some people can’t, some people are in a fog, and the actors don’t know what’s going on after acting a hundred times. None of this works.

I think judgment is very important, and then it is necessary toHave a taste..

If the most advanced thing in your movie is that you can shoot out the air and the taste, it will be great if you can shoot out the curry flavor in Indian movies or the taste of the sea breeze blowing on the surface in Japan.

Like Hou Xiaoxian’s early taste, it goes down to the top.attitudeWhat I just said is not the theme but your attitude.

What’s your attitude towards your movies, your characters, the fate of these people, your country, your society, your nation and your values?

Attitude is the last thing. If you have everything, you will be nothing if your attitude collapses.

Jingran: Sometimes actors are people after all. In fact, the best charm of the scene is the chemical reaction.

But that kind of chemical reaction can only be created in position. What do you suggest, director and actor?

Wang Xiaoshuai:I’m also an actor. I seldom talk to him about reason and drama from beginning to end. I won’t do that.

Because I think he will die there, and there will be no spark of chemical reaction in the future.

The director is a very powerful position in that position. You don’t say anything, and you are watched by the actors.

So I think it’s strange for some directors to lose their temper at the scene, and it’s unnecessary, because you have been so important.

If you lose your temper again, the whole group will collapse and the actors will collapse.

In fact, you can’t get better. Sometimes if he is wrong, he is already very sensitive when he is wrong.

I often don’t look at him, I ignore him, I don’t say anything, they say I don’t know, and I subconsciously say you have a habit.

If it’s not done properly, if this short clip is wrong, you will come over and you will cross when you get to the actor.

When someone is waiting for you to speak, you cross over. Once around, the actor knows what you want to say, but if you don’t say it, it will form his own pressure.

Plus, you should cherish every word of yourself, because you are too important, and everything you say is one.

Shao Shiyu sent a message to celebrate Beijing Normal University’s championship. Shao Shiyu Weibo screenshot

The Beijing News On October 31, 2023, the women’s football team of Beijing Normal University scored 7-6 (penalty shootout 5-4) to win the FIFA World Cup.

Shao Shiyu, a women’s football player from Beijing Normal University, was elected as the best player in the competition. On November 1st, Shao Shiyu posted a message on social media to celebrate, "The champion belongs to us and may be late, but he will never be absent. I want both the champion and the MVP. " Shao Shiyu, born in 2000, is a midfielder and now plays for the women’s football team of Hangzhou Bank, a newly promoted female super player.

At the end of July this year, Shao Shiyu won the third place in the Women’s Football Association Cup with Zhejiang Women’s Football Team. Figure/Shao Shiyu Weibo

Editor Wang Chunqiu